medium /// contemporary




reine paradis

reineparadis

Storyboards for a beautiful, and slightly insane, movie? They very well could be! This series, titled “Jungle”, is the surreal, vibrant, and beautifully composed work of LA based artist Reine Paradis:

“Each scene is imagined and pre conceptualized before shooting in real locations. All the objects are meticulously designed and placed within the scene, along with Paradis herself as the central figure.”

Aha! I wondered how she got that lady in red to do all of those crazy things. Hm, I wonder what’s going to happen in the sequel.





leah pantéa

leahpantea

Dreamy clouds, perfect lines, and little touch of gold here and there… sigh… this is the beautiful work {oil on paper} of San Diego based artist Leah Pantéa…. BUT, she happens to be living/working in Iceland at the moment. I can’t help but assume that this work is inspired by her time in that magical place. These are just a few pieces from her most recent series, titled “Janus”. Stunning. And I just had to get in there and show those close-ups, because, wow.

{You can reach out to Leah directly if you’re interested in purchasing her work.}





james maxwell

jamesmaxwell

Whoa, whoa, whoa… wait. I thought these were perfect key line drawings. They are… except that instead of pencil lines, they’re iron rods. Perfect iron rods welded into line drawings! This is the work of Toronto based artist, designer, and teacher James Maxwell. If you’d like to see these beauties in person, James has a show on now through the end of September at the Elaine Fleck Gallery {1351 Queen St. West,  Toronto}. Metal?!





ritchelly oliveira

ritchellyoliveira

DRAWINGS. Um, that’s insane. You know what else is insane? This artist is 22 years old. Yeah. This is the work of Brazilian artist Ritchelly Oliveira… I can’t even begin to imagine what his future holds. 22!?





raquel rodrigo

raquelrodrigo

What!? Urban cross-stitching… oh my word. This is the work of Spanish artist/set designer Raquel Rodrigo. Wire mesh and some very colorful rope working together to create lovely gardens on the walls around Madrid. Sigh. Yeah, I need her roses all over the front of my house.

{via Colossal}





angela fraleigh

angelafraleigh

Oh my goodness, I love these paintings so much! This is the most recent work from New York based Angela Fraleigh. I’ve written about her before, in early 2015, but I just found out that she has a new show, titled “Between Tongue and Teeth”, opening this coming Saturday. How could I not tell you about it!? Here is the gallery’s description of this exhibition/Angela’s work:

“Combining abstraction and realism, [Angela Fraleigh’s] visually seductive and complicated paintings reflect on art history, literature, and popular culture. For the Everson, Fraleigh presents new paintings inspired by works in the Everson’s collection, women of the Arts and Crafts movement and important female figures in the history of Central New York.”

If you’d like to see these beauties in person, visit Everson Museum of Art in Syracuse, NY – September 24th till December 31, 2016.





zemer peled

zemerpeled1
zemerpeled_show

Wow. Ceramic shards transformed into beautifully bizarre {very sharp} botanicals. I’ve written about Israeli artist Zemer Peled‘s gorgeous work before, but I just had to post about her current solo exhibition, titled “Nomad”. The up-close photos of Zemer’s pieces are gorgeous, but understanding their scale within a space makes them even more crazy amazing. These installation shots are from Mark Moore Gallery in LA where this work will be on display from now until November 5th, 2016. Go… but don’t touch anything. It’s sharp!





edward walton wilcox

edward-walton-wilcox

Oh, yes. Hauntingly beautiful chandeliers in all of their illuminated, mysterious, sparkly magnificence! This is the work of Los Angeles based painter Edward Walton Wilcox. These big beautiful oil paintings, and many more like them, are currently hanging at KP Projects (LA). This show, titled “Haunted”, will be up until October 1, 2016. GO.





step-by-step. every day.

tinaberning1

“Drawings are like wine, they need time to develop.” Lovely words from an amazing artist … who I might just have a major girl crush on. I have loved, and I mean loved, the work of Berlin based artist/illustrator Tina Berning for years. And now, if it’s even possible, I love it even more. Tina is obviously insanely talented, but I found out today that she’s also very smart, poetic, funny… and organized! I tried not to gush too much, but “fan-girling” was the name of the game. So, let’s get on with it. You can listen right up there under that lovely washy woman, or you can subscribe on iTunes.

First, these are just a few of Tina’s gorgeous paintings on found paper that are currently showing at Alison Milne Gallery in Toronto {until Nov 5, 2016}:

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Gah! See? How can I not fan-girl over her! Now, here’s where the smart/organized part comes in. Everything she does goes into one of three boxes: CRAP*, NOT SO GOOD, NOT SO BAD:

tinaberning3

*CRAP not shown here … Tina assured me that there really is a CRAP box, but I can’t imagine any of her work ending up there. I love love love this system and I am totally going to implement it in my studio, and I honestly think every artist should. She comes back to the CRAP and NOT SO GOOD boxes later and uses those pages for collage bits, or as a base for new work. Truly brilliant, and a perfect jumping off point for creativity.

Next, one of my favorite projects ever, “100 GIRLS ON CHEAP PAPER”… which is exactly that:

tinaberning4

So beautiful. This project started online, it then became a book, and then a show… and then a traveling show. Most of the girls from the original exhibition sold, so when it traveled to New York and Japan, Tina had to paint 80 new women for each show! Here are two pieces from NY and two from Tokyo:

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Do you know how much self control was required for me not to post all of the pieces from this series? Very. Difficult.

So, when you work on vintage found paper, most of your work will be small… unless you use old record album slips, or stitch lots of small pages together. Yes. That’s what Tina does from time to time, and no surprise, they’re gorgeous:

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The staples! I love the staples!

And finally, in the not-so-speedy speed round, Tina told me her favorite paint colors are black and red. I guess she wasn’t kidding:

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Yep, two words… Fan. Girl. Oh, I enjoyed this so much, and I hope you did too. Stunning work, a lovely person, and advice that I will use forever. Thank you so much to Tina for doing this with me, thanks to Saatchi Art for supporting this episode, and thanks to audible.com for making my new book into an audio book! To preorder a copy for FREE {or to pick up any other book you might want} just use my link: audibletrial.com/JealousCurator. But wait, there’s more… thank YOU for listening! There will be more art for your ear next weekend.

Other links:

  1. Tina’s current show at Alison Milne Gallery, Toronto 
  2. Heinz Edelman

 





caterina rossato

caterinarossato

Oh, be still my collage-loving heart! “Greetings” is a 5’x5′ collage by Italian artist Caterina Rossato. She gathered hundreds of old postcards, organized them into categories {mountains, water, buildings etc} and with a great deal of patience, and a whole lot of cutting, she created this! One beautiful, big, dreamlike landscape that I want to travel around in for at least three months… maybe I could even hit the slopes with that little guy in the red sweater