medium /// contemporary




what goes around … at nahcotta

nahcotta_show

Oh! Get it… oh… circles… anyway. These are 7 of 34 pieces in Nahcotta‘s latest exhibition, “What Goes Around”.  Yes, 34 artists – many of whom I’m slightly obsessed with – have created 12″ circular pieces of art. From Jeremy Miranda, to Jennifer Davis, to Leah Giberson {who hinted about this piece during our podcast interview a few weeks ago} – the roster is just fantastic! This was the inspiration for the show:

Choosing a particular selection of 34 artists, predominantly from the gallery’s significant stable, Nahcotta challenged them with the task of creating work on a twelve-inch circular panel. Since Greek antiquity and making resurgence throughout the Renaissance, circular works of art, called “tondi” (“tondo” when singular) have been made in architecture, sculpture, and paint. Botticelli and Michelangelo, for example, both painted and sculpted more than a few scenes utilizing this form. Deriving from the Italian word “rotondo,” meaning “round,” the shape very much informs the context and narrative of the art itself, so “What Goes Around” promises an incredible range of work launching from the same dimensional foundation.

It’s a gorgeous show, so if you can make it to the artist reception/opening – which is TOMORROW from 5-8pm – well, you should! It will be up from April 1 until May 1, 110 Congress Street, Portsmouth, New Hampshire. Now, if you can’t make it to the show, all of these pieces are available for purchase online… but hurry because a few of them are already SOLD.

{Artists shown above: Jeremy Miranda / Timothy Wilson / Michelle Morin / Travis Hetman / Jennifer Davis / Laura Berger / Leah Giberson}





conrad jon godly

conradjgodly

I really want to touch these oil paintings. But I won’t. This is the stunning work of Swiss artist Conrad  Jon Godly. Perhaps it’s the Canadian in me, but majestic snowy mountains will always have a special place in my heart, and I absolutely love the way he’s captured them in paint… thick, dripping paint. Gorgeous.





vivienne strauss

viviennestrauss

Oh, this is a woman after my own heart… I have literally cut out those plants from the same book… so, where can I get those birds, cars, and giant bottles of booze? These are the whimsical and wonderful collages of American artist Vivienne Strauss. The only question I have now… how have I never written about her before? HOW!?

{ps. all of these pieces can be found in her online shop}





lee boyd

leeboyd

Yep, you guessed it, I’ve had these drawings bookmarked for ages, just waiting for Easter! They are all from a series, titled Manimal, by Ireland based artist Lee Boyd… granted, he draws all sorts of animal/humans, but these dramatic, romantic rabbits were calling my name.





“discipline … and a bit of chance”

andreadaquino1

Found bits and pieces of wonderfulness. Today I’m talking to New York based artist/illustrator Andrea D’Aquino. She is just as lovely as her work, and almost as carefree. She talked about being disciplined in the studio {ie., getting in there and doing the work}, but she also talked a lot about happy accidents and chance. I loved this conversation and I hope you do too. Listen on the little player right up there, or subscribe on iTunes

First up, the original piece that she created for my book, Collage. Clearly she was drawn to the mustache in the starting image I gave all 30 of the artists… or the death of it:

andreadaquino2

So fun, as is all of her work! Fun and quirky and odd and wonderful… perfectly imperfect you might say. Here are a few of my favorites … oh, and when she said she’s been drawn to color since she was little, well, I was not surprised. Take a look:

andreadaquino3

Oooh, I love all of those random bits and pieces. I really do want to go for a walk around New York with her and see what we find on the street to add to a collage!

You might remember this from a few months ago. I wrote about this beautiful book, a gorgeous version of Alice in Wonderland that was illustrated by Andrea, and published by Quarto. It’s absolutely wonderful, and I love that she was able to put her stamp, or style you might say, on a classic {tough task, but Andrea nailed it}:

andreadaquino4

Sigh. The end. Well, almost… Andrea sent me a few photos of her studio! UHU stick, kinda color-coordinated piles of found stuff, and a sneak peek at the cover of her new collage book, “Once Upon A Piece of Paper”, {due out this fall}:

andreadaquino_studio

Ok, now it’s the end. Thanks to Andrea for doing this, thanks to Saatchi Art for supporting the episode {and generously giving away two VIP tickets to the Affordable Art Fair in NYC next week… enter here because I’m drawing the winner at noon on Saturday March 26th}, and of course thanks to you for listening. There will be more art for your ear next week.

Other links:

  1. Quarto {Publisher of Andrea’s books}
  2. Stefan Sagmeister

 





gunjan aylawadi

GunjanAylawadi
GunjanAylawadi2

Intricate weavings. Made from paper. PAPER! This is the incredible work of India-born, Australia-based artist Gunjan Aylawadi. Here is part of her very poetic artist statement:

Through her unique and intricate, paper tapestry technique, she explores the intersection between craft traditions, sensory pleasures she experienced growing up and the new culture she finds herself in now. Crafting thoughtful mosaics out of personal reflections, she creates works with simple materials and processes that are as important as the end result – illustrating the quiet power of slowing down and a thoughtful absorption of our environments.

The patience she must have… I cannot even begin to imagine.





ben skinner

benskinner

My friend/idol Ben Skinner is at it again. This is a new series he’s working on. Paint? No. Holographic transfer foil. Yeah, that’s how Ben rolls. But he doesn’t stop there, oh no, a holographic foil plant would not be complete without the illusion of a chainlink fence created with engraved Plexiglass. Sigh. 

I did a little poking around on his Instagram feed to get those “in progress” closeups, but let’s be honest, photographs just don’t do these pieces justice… here’s a little video that I also found during my snooping researching that really gives you a sense of this work (pre-engraved plexiglass fence):

A video posted by Ben Skinner (@benskinnerart) on

Magic.





charlotte evans {and a giveaway from saatchi art}

… and the winner is… NICOLE REDDINGTON! Congratulations Nicole, have an amazing time – I hope you get to see Charlotte’s work in person! And thanks to everyone that entered – stay tuned because there are always more giveaways around the corner.

……..

charlotte_evans

Sigh… these vibrant oil paintings make me want to go swimming on a warm, tropical night! Mind you, they also make me want to go to the Affordable Art Fair in New York next week. Yes, these gorgeous paintings by Brooklyn based artist Charlotte Evans will be there… and you might be too! Saatchi Art has given me a pair of VIP tickets to give to you! Leave a comment below and I will draw one name on Saturday March 26th, at noon pst. The winner can decide which of their lucky friends gets that second ticket. Here are the details:

Two Complimentary Tickets to the Private View of the Affordable Art Fair  ~ Courtesy of The Jealous Curator and Saatchi Art

Join Saatchi Art on Wednesday, March 30th from 6-9pm for the VIP Private View of the Affordable Art Fair in New York City. Saatchi Art will be presenting new works by 9 outstanding emerging artists on the first level in Booth #1.49. VIP guests will receive a copy of Saatchi Art’s new print catalog, as well as a limited edition tote bag, while supplies last! We look forward to meeting you in New York. 

VIP Pass includes admission to each day of the fair, including After Dark and the Sofa Session with Saatchi Art Chief Curator Rebecca Wilson on Thursday, March 31st at 1:30pm.

Featured artists: Kevin Bradley and his Church of Type, Fabio Coruzzi, Charlotte Evans, Alex Jackson, Koen Lybaert, David Fredrik Moussallem, Robert von Bangert, Dean West

The Affordable Art Fair, Metropolitan Pavilion 125 West 18th Street, New York, NY  *between 6th and 7th Avenues

Ok, if you’re going to be in New York next week, leave your comment below… good luck! {ps. HUGE thanks to Saatchi Art for this fantastic giveaway xoxo}





mária švarbová

maria_svarbova

Oh. Yes. I love this series, titled “Swimming Pool” so, so, so much. The simplicity, the color palette, the little bits of perfectly placed text. Sigh. This is the clean and striking work of Slovakian photographer Mária Švarbová. Let’s just say, if Wes Anderson ever wants to make a film in Bratislava, I know who he should call.

{… thanks to maria ysasi for sending me a link to this wonderful work}





spencer merolla

spencermerolla

If you’re thinking to yourself, “Cool… wait… is that… hair?”, you’d be exactly right. Crazy and amazing. This is the work of Brooklyn based artist Spencer Merolla. I’m going to let her explain what this is about and where it came from:

“This series takes the Victorian women’s practice of sentimental hairwork as its jumping-off point. For the Victorians, mourning was a very public act. Rather than a private emotion or an embarrassment, grief was a popular motif for the arts and fashion. What strikes modern sensibilities as mawkish and overly sentimental behavior was, at the time, considered proof of a person’s sincerity and morality. Ornamental hairwork, painstakingly crafted from the hair of loved ones, was a fashion that insisted the wearer embodied these virtues. This work plays with the tension between sincerity and emotional performance, imagining a contemporary practice in which moderns might socially engage with death’s physicality. The dissonance of the craft (when transposed onto the emotional and aesthetic landscape of our times) draws attention to the ever-shifting boundaries of permitted public display.

That the hair must be severed from the body to be worked in this fashion is a compelling aspect of the practice for me. With few exceptions, the provenance of antique hairwork is now unknown. As a result, it loses its essential quality of referring to a specific person, while still being a distinctively “personal” object. In a sense, the story of hairwork is a testament not of our capacity to remember our lost loved ones, but of our ultimate inability to hold onto them.”

Yep. Crazy and amazing.