medium /// contemporary




anna roberts

“Hand drawn artworks in pastel on cotton paper” … um, WHAT? This is the absolutely exquisite work of UK based artist / illustrator Anna Roberts. Drawings. Not photographs. I’m not sure my mind can handle this loveliness on a Monday.

{Thanks to my friend Liezel, at Subject Matter Art, for sending me a link to Anna’s site.}





summer camp 3 : unconventional and absurd

Unconventional and absurd? Yep, that pretty much describes my “s’moreo” photo for the day 7 prompt {“snacks”} from the first week of camp {combined with a photo of me, age 6}. And yes, you better believe I have a fresh s’moreo sitting right beside me at this very moment! So, before we get started on week 3 at AFYE Summer Camp, I want to show you just a handful of images created for last week’s art project (hashtagged #AFYEcamp). “Collaboration-Nation”, indeed! I did it too {posted below} by getting my husband and son to each make marks on a scary wooden panel I’ve been nervous to “ruin”… and I love it! Red marks made by my son Charlie, orange marks by my husband / amazing AFYE producer Greg, and the final piece by me:

 

Ahh, finally, that wood panel has paint on it… the title: “The rainbows and candy-colored chaos gave it away – Suzanne was hashtag blessed.”

And, of course, here are just a few of the many, many fabulous pieces you all collaborated on {photo credit links are at the very bottom of the post} :

So fantastic! Speaking of which, let’s get on to this week’s challenge:

Art Project No.3 

Shopping List : Yep, we’re heading to the grocery store for our art supplies this week {feel free to buy ingredients for s’moreos while you’re there!}. Using unconventional, AND CHEAP, materials can help bring back that fun, childlike joy in making. Paper plates, bags of macaroni, lunch bags, plastic bags from the bakery dept, pie tins, potatoes for potato stamps… whatever you can find! And if you want this to be super duper cheap, ie free, just raid your recycle bin!

Artist Examples: 

Here are three artists who don’t use the usual go-to art supplies for their work. First, American artist Hollie Chastain. She uses old book covers in place of canvas:

UK based artist Claire Brewster works with old maps and atlases:

Lydia Ricci uses, well, everything:

And finally, a few images of the absurdity embracing Eva Hesse:

Love!

Ah, another week of camp done… another s’moreo eaten! Thank you to Saatchi Art for supporting summer camp, and thanks so much to you for listening! AFYE camp will be back on Saturday June 17th … until then, be sure to hashtag your unconventional material piece {or pieces!} on Instagram with #AFYEcamp. Have fun!

Other links:

  1. Hollie Chastain on AFYE : Episode 15
  2. Claire Brewster on AFYE : Episode 84
  3. “Eva Hesse” – Documentary by Marcie Begleiter and Karen Shapiro
  4. Book signing at Book Passage Ferry Building, SF (June 9th, 6pm)
  5. Hotbed Benefit 2017
  6. Plant Hope Foundation
  7. Venice! European Cultural Academy
  8. TO SUBSCRIBE TO THE PODCAST: subscribe on iTunes.

*Photo credits from Project No.2, in the order they appear above:

1. @mary_stack // 2. @elisegedig  //  3. @nullsie  //  4. @bababeloco  //  5. @mlestudio





carole feuerman … and venice

Did it take you a moment to realize these weren’t actual swimmers? Yep, me too. This is the absolutely gorgeous work of well known American hyperrealist sculptor Carole A. Feuerman... and I’m actually going to see some of her work in person this August at the Venice Biennale! She has several exhibitions happening at one time in Venice. She’ll be showing work at: Giardino Della Marinaressa, Bel Air Fine Art, Palazzo Mora and Palazzo Bembo –  both palazzo’s will each have a special Feuerman swimmer exhibitions during their shows called Personal Structures, Open Borders. The course that I’ll teaching in Venice {I’m one of several instructors from Aug 7 – 20} is taking place at Palazzo Bembo through the Academy at the European Cultural Centre – here’s hoping one of Carole’s swimmers is close by!

ps. I just found out that there are ONLY SIX SPOTS left at the academy the weeks I’m there. To find out more, visit the ECC’s site. I hope we can see Carole’s work together! Oh, and stay tuned because I’ve got a collage contest coming up with the prize being the tuition for one week at the Academy … worth EUR950! I’ll talk about this more on the podcast this weekend. 





carolyn gavin


Ooh, pages jam-packed with collections of nature’s wonders! Love love love… perhaps it’s because I grew up in a house with my artistic mother who painted watercolor mushrooms, but these fungi spoke to me immediately. And then, the succulents of course… who can resist a watercolor cacti!? Not me. This is the fun, candy-hued work of Canadian artist Carolyn Gavin. ps. Prints, ridiculously affordable prints, of her whimsical work can be found in her shop.





nadiuska & priscila furtado

Ah, the lovely drawings and ceramic work of Brazil based sisters, Nadiuska and Priscila Furtado. They started this collaborative project under the name Uinverso, and this is why:

“As the name means inverted , it is also related to the  universe in physical existence and in the perspective that each species is a universe inserted in another.”

Beautiful. {You can find their work – originals, prints, ceramics, pins – in their shop}





leah bartholomew

Somewhere between collage and painting lives this lovely work by Australian artist Leah Bartholomew. Sigh. Well, technically they’re gorgeous paintings, but they start out as torn paper collages. Here is the description from Leah’s site:

The ritual of daily walks play an integral part in forming the initial concepts for her pieces. Her vast paintings begin as small torn paper collages, an intuitive puzzle of unexpected colours and feelings that take shape based on the influences of her environment and mood. These collages may represent the colours of the weather, or how the warmth of the rocks on the beach felt, or the blinding brightness of an electric blue sky. The colour palette is carefully chosen in response to this and the paper collages then inform the large scale paintings. Each day is different and her affinity with the landscape provides endless material to respond to.

I love all of that. Who wants to go for a walk in Australia? Me too.





lisa anne auerbach

Yep, 2008… isn’t it a little more than insane that all of these absolutely fantastic skirt & sweater sets apply perfectly TODAY. This is the work of LA based artist Lisa Anne Auerbach. She continues to use knitting and text to put her messages into the world, but when I stumbled across these pieces I didn’t realize they weren’t brand new work until I saw that final piece above. She created them just before Barack Obama was elected, way back in 2008. Remember that? Ah, good times.

via Little Paper Planes blog





summer camp 2 : the first mark

Hey there, Campers! Welcome to week 2 of 15 at AFYE Summer Camp… but before we dive in, I want to show you just a handful of images created by some of you for last week’s art project (hashtagged #AFYEcamp). They were all so good! This was an Instagram-a-Day project, with an assigned prompt for each day. There were HUNDREDS of images taken because, well, you guys are amazing. Here are just a few from each prompt (photo credits at the bottom of this post) :

Day One : Vintage

Day Two : Wood

Day Three : Make

Day Four : Blue

Day Five : Boat

Day Six : Nature

Day Seven : Snacks

 

Love, love, love (and even a little nod to Twin Peaks). If you wanna see what everybody’s doing, or contribute your own work, just use the hashtag #AFYEcamp. Alright, time for today’s episode:

Art Project No.2 

Collaboration-Nation : “Ruining” perfect white paper can be terrifying… so let someone else do it! Ask a friend or family member to make the first mark (their color and medium of choice) on a white page or on that perfect canvas you’ve been avoiding, and then you take it from there! Work around their mark, over it, whatever. ps. I also suggested having more than one piece (and maybe more than one friend making marks) on the go. This idea is thanks to the wonderful advice from this week’s featured artist…

Artist Example: 

Ah yes, Lola Donoghue. She loves working on BWCs (Big White Canvases) which, quite frankly, seems like a nightmare to me. Here is some of Lola’s work, along with a few studio shots so you can see how many big canvases she manages to fit into her lovely studio in the Irish countryside:

Look at all of those glorious happy accidents and creative potholes!

And finally, I promised these images too. Marcel Duchamp as his alter-ego, ‘Rrose’, photographed by Man Ray:

You’re welcome.

Another week of camp done, another s’moreo eaten! Thank you to Saatchi Art for supporting summer camp, and thanks so much to you for listening! AFYE camp continues next weekend… but until then, be sure to hashtag your ‘first mark made by another’ on Instagram with #AFYEcamp. Have fun, and embrace those happy accidents!

Other links:

  1. Your Inner Critic Is A Big Jerk, by me
  2. Secret Lives of Great Artists, by Elizabeth Lunday
  3. Lola Donoghue on AFYE : Episode 50

*Photo credits from Project No.1, in the order they appear above:

Vintage: 1. @septemberwren  2. @caballo_rosa  3. @vanittasr  //  Wood: 1. @catseatdogsmakes  2. @alabamathirteen  3. @cindymcd  //  Make: 1. @celkovich  2. @thejealouscurator  3. @flyonthewall602  //  Blue: 1. @juliehamiltoncreative  2. @mariko_koda  3. @stephillo  //  Boat: 1. @bababeloco  2. @taytayshenaynay  3. @meganwoodardjohnsonart  //  Nature: 1. @neotimes  2. @emilyezarse  3. @tara.axford  //  Snacks: 1. @vanittasr  2. @modernfibre  3. @heathersundquist

 





aimée henny brown

Gasp! “Shelter”, an installation by Canadian artist Aimée Henny Brown. I’m not sure where to start? The mixed media collages, the pink ranger station… that paper cutting!? Ok, I’ve got no words so I’m handing this over to Aimée :

“Exhibited at the Ranger Station Art Gallery for June, 2015,  the work was inspired by my artist residency in the district of Kent, and through access to archives held at the Agassiz-Harrison Museum and Archives.   Through this body of work, I am visually exploring a period in this area’s history where the land was wild, shelter was provisional and industry was just beginning to imagine its place in the Fraser Valley. The re-presentation of these historical moments is also informed by imagined, alternative visions of what the term shelter can represent. In its most essential form, shelter is depicted as a triangle – an icon of sanctuary and dwelling. The triangle motif is employed throughout the work as a talisman to conjure concepts of protection, survival and home – but it is also the essential geometric building block of geodesic domes, tent structures, gabled walls, pitched roofs and signal flags. In this exhibition, the triangle is both form and metaphor. The aim of this work is to glimpse into local histories while discovering the imaginative potential of digging deeply into this past, and closely examining our relationship with place.”

Beautiful. Happy Friday.





jonathan crowther

Flowers and some very odd vases… glue lids, drink spouts, and of course, a soy sauce fish! These are the wonderful paintings {oil on canvas} of Melbourne based painter Jonathan Crowther. I love everything about these – the realism of the flowers, the fact that those flowers are poking out of glue lids, and the flat/colorful abstract backgrounds. Gorgeous. ps. Jonathan has a new show, featuring a different body of work, that just opened today in Sydney {which I guess would be yesterday there?} at Palmer Art Projects. It runs until June 24th, 2017.

And, because seeing scale {and the artist!} is always fun: