medium /// drawing




andy mister

Brace yourself… these are DRAWINGS. DRAWINGS. Carbon pencil, charcoal, and acrylic on paper on panel. What?! This is the insane work of New York based artist Andy Mister. And, if that’s not amazing enough, they’re big… some of them up to almost 4′ high. Now, just in case you still don’t believe me when I tell you that these are DRAWINGS, here’s a little #wip proof from Andy’s Instagram feed:

See?!





toni hamel

Dreamlike drawings by Italian-born, Toronto-based artist Toni Hamel. Her description of this series is lovely, so I’ll hand it over to Toni:

The land of Id (2015-2016) : In Freudian psychoanalytic theory, the Id refers to the component of our psyche responsible for our most primitive impulses and drives. It is an egocentric, all-consuming urge to satisfy our immediate needs and desires  without any consideration for possible consequences or repercussions.

Such theory perfectly describes our contemporary attitude toward our surroundings.  Continuing my discourse on human behaviour, The land of Id focuses on humanity’s relationship with the natural environment offering two alternative yet equally interesting points of view. If on one hand it confronts us with the disastrous results of our ill-conceived rapport with nature, on the other it offers some levity and  food for thought. The land of Id becomes a topsy-turvy world filled with tension and instability, where everything appears possible yet nothing is what it seems. Through symbolism and satire, The Land of Id eventually alerts us about the dangerous effects of our exploitative behaviours.

Fantastic.





“finding wildness”

From being the daughter of a pastor in a rural town of 700 people, to a full-time abstract painter in downtown Toronto. Yes, Janna Watson is my guest today… I’ve been trying to get her on for months and months and months, so I’m thrilled that this finally happened. Listen right up there under “I woke up in a dry fountain and ice light”, or you can subscribe on iTunes.

First up, a few of Janna’s red paintings! I don’t know what it is about her red pieces, but they grab me every single time:

Ok. I see a tree in that last one. Maybe it’s the essence of the tree her grandfather pointed out. I tried to include a few shots to show scale, because 2D jpgs just don’t do Janna’s work justice.

Here are a few more… lots of gradient backgrounds, insanely beautiful color combinations, and lovely lines made with pastels:

Oh my word. I love all of them so, so much.

Next… Watson Soule. This is what happens when you bring art into your home, but instead of hanging it on the wall, you put it on the floor:

So cool. That’s Janna on the left (Watson), and Nico on the right (Soule).

Ok, and this just wouldn’t feel right if I didn’t include a few behind the scenes shots. I was lucky enough to pop into her Toronto studio earlier today, and first things first, I could not believe how big her brushes are:

Giant brushstrokes, a lovely studio space, and an up-close shot of a ‘work in progress’.

Now, I forgot to get exact examples of the red + grey + white combo that Janna mentioned, but I’m guessing a few of these pieces use that magical recipe:

Maybe? Either way… so beautiful!!!

And finally, a few shots from our visit this morning (note the super cute little painting shoes she wears while working):

And there we are… we did the selfie! Also, the couch. It was the first amazing thing I saw as I walked in, and yes, her grandfather designed it! Love. Thank you so much to Janna for doing this with me (and letting me into her studio today!); thanks to Saatchi Art and Create Magazine for supporting the episode; and huge thanks to you for listening! There will be more Art For Your Ear next weekend.

Other links:

  1. Bau-Xi Gallery, Toronto/Vancouver
  2. Kenise Barnes Fine Art, New York
  3. Watson Soule
  4. OCADU

 





“stuff like that and quilts, ya know”

On fire, indeed! That’s a detail of a quilt… a  QUILT, by Minneapolis based artist {and hilarious story teller} Terrence Payne. I had him on the podcast almost 70 episodes ago, but when I discovered that he’d put his oil pastels down for a moment, and traded them in for a sewing machine, well, I had to have him back on. AND, I had dinner with him when I was in Wisconsin last fall, and I laughed so hard I almost broke something. He has some stories, let’s just say that. Quick warning though, there is swearing in this episode, so if you have kids around you may want to pop in some headphones instead. Seriously. I was going to bleep him, but it took away from the insanity of his stories. You’ll see what I mean. Anyway, back to ART! You can listen right up there under the close-up of one of Terrence’s fire quilts, or you can subscribe on iTunes.

First up, a refresher from episode no.71 … a few of my favorites! I love his large-scale oil pastel drawings, especially the text pieces:

BOOM!

Ok, that of course leads into why we’re here today. This pentagram drawing is one that Terrence is known for, and then look what I caught a glimpse of while scrolling through Instagram:

What!? A quilt version of the drawing!? I thought someone had paid an homage to him… nope, TERRENCE MADE A QUILT.

Well, he got hooked and is currently working on 12 quilts for an opening at his gallery, Rosalux, at the beginning of May. Here’s where he is so far:

His drawings in textile form! I thought this was his first foray into the world of fabric stores etc, but no. Here is a 2008 installation that he did with fellow Minneapolis-based artist Amy Rice. It was titled, “Nest : An Exhibition of Living” and took place in a very cool lookin’ house:

Ahhh, I wish this was still around so I could live in it. Beautiful.

Also beautiful, Terrence’s “knots”… both the original pastel drawing AND the wallpaper version by Hygge & West:

So pretty. {I have a chunk of this framed in my studio}.

Ok, and another interior collaboration… Terrence Payne + Target:

Again, gorgeous! Quite amazing how he can blend his work about “dystopian societies” so beautifully with commercial projects!

Oh, and I just had to throw this in, because at the end of the day, I was super proud of this show! This is a little peek into “Open Door 13” that I was invited to curate at Rosalux Gallery in December 2017:

Seriously, that dog. But wait, there’s one more dog you need to meet:

Oh, Dottie! So sweet. And Terrence, hard at work… someone should make him a quilt to lie on too. Thanks so much to Terrence for doing this with me {again}, and for telling me all of the stuff and things! Huge thanks to Saatchi Art for supporting the episode, and thank YOU for listening. There will be more Art For Your Ear next weekend.

Other links:

  1. Rosalux Gallery, Minneapolis
  2. Terrence on Instagram
  3. Amy Rice, Artist
  4. Ben Venom, Artist
  5. Soo Visual Arts Center, Minneapolis
  6. Tonya Corkey, Episode no.75
  7. Hygge & West (Wallpaper Co.)

 





lily padula

Imagine having such elaborate, fantastical daydreams that you’d rather spend your life lost in your imagination than living in reality. Enter “maladaptive daydreaming”, a psychiatric condition, and the topic of this lovely animation created by Brooklyn based artist/illustrator Lily Padula for an episode of NPR’s Invisibilia {Invisibilia is one of my favorite podcasts, so when I saw this piece from Lily in my submissions inbox, well, I jumped at the chance to write about it!} The episode/piece is titled, “When Daydreaming Gets In The Way Of Real Life”, and voila, here it is. Enjoy…

Beautiful and sad and wonderful.





cj hendry : “monochrome”

Ok, yes, I just wrote about New York based / Australian artist CJ Hendry, and her hand-drawn, large-scale blobs of paint. Well, clearly, those drawings were just the tip of the hyperreal, colorful iceberg! First of all, yes, those are DRAWINGS of crumpled up Pantone chips. DRAWINGS. Secondly, they are obviously not hanging in a white-walled gallery. CJ has a special installation that opens tomorrow in Brooklyn – an installation that takes “buying art to match your couch” to an entirely new, and refreshing, level:

MONOCHROME is born into a 22,000 sq. ft industrial space in Greenpoint, Brooklyn. Hendry has designed a seven-room home around the art hanging on the walls. You will walk through seven distinct rooms, each room consisting of only one monochromatic color. Seven rooms, seven colors… this will be a visual feast for the senses.

“People generally buy art as the last item, they find art to match their home. I have become close with my collectors over the years and have noticed how differently they live their lives. Art is the first thing they add to a space and they design their entire home around their collection. I have taken this concept to an extreme level. Each room has been designed to emulate the art on the wall. The art is the focus, everything matches the art.”

MONOCHROME opens tomorrow – Thursday, April 5th through Sunday, April 8th, 10 a.m. – 5 p.m. at 276 Greenpoint Ave in Greenpoint, Brooklyn. Go… and Instagram the hell out of it for those of us who can’t be there!





“where our happiness lives”

The title of this episode sort of says it all. Following what excites you / what makes you happy, will create work that excites you / makes you happy… and for Los Angeles based artist Michelle Kingdom, that happens to be telling stories with thread. I already admired her work so much, but finding out that she’s not only a well-known contemporary artist whose work is shown in galleries all over the world, Michelle is ALSO a full-time preschool teacher and the mother of a teenage daughter?! Well, the admiration went through the roof! When does she sleep? Apparently, she doesn’t. Listen right up there under “Life Will Divide Us”, or you can subscribe on iTunes.

First, just a whole bunch of Michelle’s work that I love… plus closeups, because who doesn’t wanna see closeups!?:

Yep. Those stitches, the stories, all of the stuff. Love.

Next up, this is the benefit of following Michelle on Instagram… you get to see everything that goes into each meticulous piece:

Seriously, I don’t know how she has the patience to do this kind of work… but I’m really happy she does!

You know who else is happy? Pillow Talk, the band that used “What Is Done Cannot Be Undone” for the cover of their latest album:

So. Cool.

Also cool {and admittedly a personal dream of mine}, a full feature in Hi-Fructose Magazine:

Gah! Ridiculously cool.

Now, I think this is so important to show, and so great that Michelle has these pieces on her website. These are some of her older works – the pieces she mentioned that were stitched onto little bits of silk and other random fabric {and shown to no one for years}:

Oh, so fascinating to see where she began her artistic journey, and my goodness, how far she’s come!

And finally, I obviously had to include the red Mary-Janes, and maybe just a couple of photos of Michelle in action too:

Love love love. Gigantic thanks to Michelle for taking time away from her insanely busy life to talk to me; thanks to Saatchi Art for supporting yet another episode {FYI: Saatchi’s hosting “The Other Art Fair” in LA this weekend so check it out if you’re in town}; and big old thanks to you for listening. There will be more Art For Your Ear next Saturday.

ps. Also, a super huge gigantic THANK YOU to my amazing husband/producer, Greg, who edited this podcast from a hotel room in Toronto so there’d be an episode this weekend! xoxo

Other links:

  1. Michelle’s show in New York at Foley Gallery, April 4 – May 13
  2. Michelle on Instagram

 





kaetlyn able

I suddenly want to spend the day watching old Westerns … and I don’t even like old Westerns! This is the mysterious, rich, beautifully crafted work of Montana based artist Kaetlyn Able. Are you wondering how she does this? Graphite? Printmaking? I’ll let her tell you:

“I create dreamy portraits based on found historical photographs. Using tattoo needles and an x-acto blade, I etch into thin layers of black ink that I have painted onto white clay panels. Traditionally, this drawing technique is known as scratchboard, or scraperboard, but I don’t love those clinical-sounding names. They don’t do the process, which feels utterly, completely and perfectly magical, any justice at all! For me the practice is part meditation, part act of devotion. I slowly build delicate layers of marks, gradually adding more and more light and life to the image, until suddenly, a character and a story seem to emerge out of the black. It’s a surprise every time. I often layer these black and white drawings with pops of colorful elements that I paint in acrylic and acrylic gouache, creating further texture, dimension and emotional resonance.”

Tattoo needles?! What a fantastic way to get these characters to “emerge out of the black”. Love.





cj hendry

A post shared by Cj Hendry (@cj_hendry) on

Um, WHAT? Yeah. Drawings. DRAWINGS. I have written about the insane work of Australian artist CJ Hendry before {ink drawings of food}, but these juicy blobs of paint? Do you know how I feel about thick, lush, colorful blobs of paint? I LOVE THEM. I use them in my own work… but not like this! I am in awe. And in love. Awestruck love. Sigh.





“paintings, pinholes and pina coladas”

Those are needle-hole perforations in paper… because I know you’re wondering! Today I’m talking to the very prolific artist, and teacher, Wendy Kawabata. I wrote about her needle-hole series, titled “Blind World” a few years ago, but they are just one of many gems in her extensive portfolio. So, this episode is coming to you from Hawaii… I’m in Maui, and Wendy lives on Oahu… mai tais for everyone! Listen right up there under that intricate beauty, or you can subscribe on iTunes.

First up, some of her newest work. Wendy has recently gone back to oil painting after a very long break:

Ahhh, gorgeous! Each of these are titled “Cairns III”, “Cairns II”, and “Cairns VII Here Comes The Sun”.

Now, these pieces are both drawings and mixed media. Wait… is it fabric… or drawings .. or both? …

You can see why I wasn’t sure! The top two are gouache and colored pencil on paper, and the bottom two are gouache, colored pencil, and kantha cloth on paper. Love them all!

Next, the work inspired by her month-long residency in Iceland. This is “In The Land” when it was shown in 2016 at Sanderson Contemporary in New Zealand:

Dreamy, icy watercolors and that amazing crocheted flower piece… which has oh so much more behind it than grey, metallic paint covered flowers.

Oooh, I love this series too {see, prolific!}. This is a gouache and pencil on paper series, titled “Acts”:

Note the “mama”… such a beautiful reason for having that word woven into these drawings from a few years back.

And here we are, the first body of work of Wendy’s that I ever saw. “Blind Worlds”. So gorgeous:

Needle-hole perforations in paper, or as Wendy would say, drawing with holes. Love, love, love!

And finally, this is the piece she mentioned near the beginning… logs covered in crochet with Wendy’s made-up stitches {thank goodness for mothers}:

Beautiful… right stitches or wrong stitches! Thanks so much to Wendy for doing this with me; thanks to Saatchi Art and Thrive for supporting the episode, and thanks to you for listening! There will be more art for your ear, not next weekend but the weekend after that {Feb 17}

Other links:

  1. Material Slip Show, March 4 ~ April 6th
  2. Sanderson Contemporary, NZ
  3. University of Hawaii at Mānoa