I am very excited about this. Vancouver based artist Sarah Gee Miller is one of my most favorite people in the world. She is so talented (and self-taught by the way), incredibly generous, one of the only people I truly feel comfortable talking to about my own work… and she bakes a mean blueberry muffin. Sarah and I cover everything in this interview – from a life-altering accident she was in at 15, to finding her way to an art career decades later. A lot of you have been asking me to make these episodes longer, so Sarah and I just kept talking and talking! I loved every minute of this conversation (but be warned, there are a few bleeped out swear words in there… shocking, I know.) You can listen right up there, under that perfect circular drawing, or you can subscribe on iTunes.
Alright, let’s get things started with the first of Sarah’s work that I ever saw… big, beautiful, perfectly-cut circles of paper:
So gorgeous! Photos don’t do them justice. They’re really big, and really bright, so seeing them in person takes your breath away. Here are the two “city block” pieces she was talking about (there’s a bit of a glare because she had already mounted them/put plexiglass on them before taking the photos):
Oh. I love them so much. And because I just can’t get enough of her circles, here are a few recent pieces in progress/moments before they were shipped off to shows:
I love those studio shots… pre-mounting, just hanging out on her sunlit floor. Ok, now, moving on to the drawing machine! Yes, Sarah built her own revolving drawing machine, and luckily for me, she invited me over to try it out:
So fun! I wish I could take credit for the drawings above, but alas, those ones were created with Sarah’s expert hand. I made a few that were ok… I was just happy to get out of there without being sick (that machine makes you dizzy!). I left there with the pieces I made AND that beautiful piece she gave me as a gift (that now sits above my fireplace beside “Rosie”, my pink doe by Rachel Denny)
Next, the pieces she’s been working on lately. These ones aren’t paper, but styrene (a type of plastic), that she cuts and then paints:
So much work. So much careful work. We talked about how meticulous her pieces are, and the fact that she works on the floor… both of which sort of blow my mind considering the devastating accident she was in as a teenager. But, she tells me that being on her knees and working on the floor is much more comfortable than standing or sitting. Whatever works, Sarah, whatever works! I think her story is so inspiring. She’s overcome so much, and even though she suffers from chronic pain she is such a joyful person. See…
Jumping over art and drinking champagne on the floor. That’s how you do it! And finally, in the speed round I asked her to clarify a myth about cats. I think she lied to me though. Note the proof I found on her Instagram feed:
Ah-ha, I knew it! Cats do lie on your supplies/work! Busted. Oh well, they’re cute so we’ll leave that alone. Thanks so much to Sarah for taking an hour and a half (?!) out of her day to do this with me, thanks to Saatchi Art for supporting the episode, and great big thanks to you for listening! There will be more art for your ear next weekend.
- Jessica Bell
- Ben Skinner
- Zoe Pawlak
- Wayne White
- Mayberry Fine Art, Toronto