medium /// historical

charles h. traub


Wednesday work blahs? No problem… these photos, from the 1970’s, of New Yorkers on their lunch breaks might cheer you up! They are the work of Charles H. Traub, from his series quite appropriately titled, Lunch Time. The color, the fashion, the whole “leaving your desk to eat lunch” thing! Ah, I love it all. Who’s with me? Shut down your computer and go outside for lunch today. Thanks Charles… we needed that.

via gothamist

i’m jealous of project B

Do you love old photos? Do you wish you could get one as a giant print to hang on your wall? Perfect… listen to this:

PROJECT B specializes in a fascinating world: vernacular and anonymous photographs culled from the lively margins of history. We discover and preserve exceptional vintage photographs from unknown photographers and make them available in limited edition prints…. Our work is a culmination of more than 30 years’ experience in the fields of fine art, photography, folk art and material culture. By bringing together the best practices of collecting, curating and publishing, PROJECT B pays homage to the mysterious power of the anonymous photograph to transcend time and enhance the spaces we live in today.”

So cool! I want a 36″x36″ sea monster (very Scooby-Doo-esque) in my house!

i’m jealous of… geishas in swimsuits?

Ok. I found these, loved them immediately, and then started searching high n’ low for the mixed media genius that created them. Turns out that they’re not collages… they’re photographs from the early 1900’s! I still don’t completely believe it, but apparently, it’s true. Yep, during the Meiji and Taisho Eras of Old Japan, photographing Geishas in swimwear was all the rage. Stripes, hits of candy-hues, fancy up-do’s… hang on a second… that’s all the rage NOW!

{The photographer(s) of these images are unknown… to me anyway. If you know anything about them, please leave a comment. Via FLAVORWIRE}

i’m jealous of lynda benglis

Ok, American artist Lynda Benglis isn’t exactly an emerging artist {you can tell because of her very established/accomplished career that started in the 1960s, her very full Wikipedia page, and this series of images by LIFE Magazine!}, but when I saw these amazing photographs, I just had to post them. The colors are absolutely stunning, the result is beautiful, and come on… wouldn’t you want a chance to pour huge buckets of neon paint onto a concrete floor? Yep, me too!

{via candy ping pong}

i’m jealous of ‘remake’

Any post that starts and ends with a tribute to Frida Kahlo, has to be a good one!

I’m sure you all know about this fantastic project, appropriately titled Remake, but just in case you haven’t heard of it… well, I just had to show you! Inspired by a similar contest running in the UK, Jeff Hamada of put out a call for people to remake classic works of art using photography only {oh, and no post-shot photoshopping tricks allowed!}. Van Gogh, Magritte, Lichtenstein, and countless others all make an appearance… several times! There were an insane amount of creative submissions – these were just a few of my favorites.

{1.“Self portrait dedicated to Dr. Eloesser” remake by Yesenia Caloca, original by Frida Kahlo   2. “Girl with Ice Cream Cone” remake by Stephanie Gonot, original by Wayne Thiebaud  3. “La bonne foi” remake by Noemi Mazzucchelli, original by Magritte  4. “Ohhh…Alright…” remake by Emily Kiel, original by Roy Lichtenstein  5. “Self Portrait 1889″ remake by Seth Johnson, original by Vincent van Gogh  6. “Portrait of Frida Kahlo” remake by Danilo Ursini, original by Frida Kahlo}

i’m jealous of anonymous brazilians

Retratos Pintados from Northeastern Brazil
c. 1940-1980

Don’t have a gold watch, but always wished you did? No problem. Unsightly blemish? Totally taken care of! Ah yes, when a black and white photograph {of what you actually look like} just won’t do! Retratos Pintados are photographs that were hand-painted by artists, during the middle of the 20th century in Northeastern Brazil. They used layers of oil-washes to beautifully enhance, well, everything! Eu amo ♥

{found on Rose Gallery via}

girl crush

I have a crush. Well, I have quite a few actually… so many, in fact, that I’ve turned them into a new series of guest posts, that start today, on the always lovely sfgirlbybay. The series is called girl crush. Can you guess why? Yep, the posts will feature amazing women artists that I have huge art crushes on! Here’s why I chose to do this…

When I was in university, I minored in Art History. As a young female artist, I wanted to know why there weren’t more women in my textbooks… surely they existed?! And it wasn’t just the Renaissance and Rococo periods that were lacking – I have a Pop Art book filled with artists that I love, but there is not one woman in it. Doesn’t that seem kinda crazy? Yes, yes it does. Luckily, contemporary art seems to be balancing things out a little more… I know that more than half of my posts feature women. Granted, I’m jealous of work regardless of the artist’s gender, but as a woman artist myself, I absolutely love to see, and celebrate, the successes of inspiring, crush-worthy “girls”… hence the catchy title of this series! Sigh… I have so many crushes, on so many artists, that these posts just might go on forever! So, now that I’m wearing my heart on my sleeve, you can tell me… who do you ?

{textbook worthy images by: 1. Tina Berning 2. Martha Rich 3. Maia Flore 4. Laura McKellar 5. Beth Hoeckle 6. Margaret Kilgallen ♥♥♥}

july 16th ~ 17th

Kelly Lynn Jones is an artist and curator living in Oakland, California. She received her MFA in May 2010 from the California College of the Arts in San Francisco, and has shown her work all over the US, and UK… so, obviously, I’m totally jealous! Her own work is fabulous, and if that’s not enough, she just happens to run a little online gallery you may have heard of called Little Paper Planes… yeah, I know! And wait til you see who she’s jealous of – it’s a fascinating story:


I am jealous of Bas Jan Ader

I think I am really just fascinated by his whole persona.
Bas Jan Ader appears to be nothing but a myth, even though he was an artist living in the 1970’s whose life was cut tragically short as he searched for the miraculous.  We all have moments where we want to believe in the romantic ideas of the sublime.  We listen to pop songs about love on the radio and let ourselves get swept away in what could be our life, even though those are calculated songs, not reality.  He framed all of his works within a conceptual lens though the underlining themes are still universal in the simplistic ways of showing emotion and longing for the past and future.  Underneath the guise of generalized images of the romantic tragic hero, was an artist/person who had his own personal tragedies and experiences though through art translated the personal into generic cultural references.  Ader was successful where he could take the vernacular within Pop culture and transcend the commoditization of the romantic notion into something that felt real yet not personal.  He essentially became a “persona” or “myth” of the romantic by carrying out the actions that portrayed his ideal.

I often romanticize what life should be like, what an artist’s life should be like and am often stuck in some state of nostalgia; longing for something I have never actually experienced.  So when I view Ader’s work, I empathize with how he may of felt.  He was so successful in portraying this “persona”, that I wonder where he as “Bas Jan Ader” fit into the scenario.  Was he really and actually the tragic hero?  Did he begin to believe the myth he was creating or was this actually he all along?  In his final piece, In Search of the Miraculous in 1975, he left those questions with the answers deep into the vast Atlantic Ocean.  So we will never know.


Thanks so much Kelly. What a lovely, thoughtful post.

i’m jealous of bob willoughby


Bob Willoughby, ‘candid photographer of the stars’, died on December 18th at the age of 82. His work is amazing and will always be remembered, not only because of his stunning compositions and his obvious knack for capturing perfect moments, but also for the very unique glimpse into Hollywood that his photos revealed. At the time, during the early 50’s and 60’s, it was rare to see a Hollywood star doing anything other than posing perfectly still for a shot that would promote his or her big studio film. Bob went behind the scenes and captured some of the most famous faces of the time just being people… heading home at the end of the day, re-reading scripts, waiting for sets to be lit, and yes, even grocery shopping (although I’m pretty sure Audrey Hepburn was the only one that took a baby deer along for the ride.)

{I found this story via Peter Hay Halpert – Thanks Peter.}

i’m jealous of vivian maier


What an amazing glimpse at a slice of American life during the 1950s and 60s. And what an even more amazing story about this photographer, the undiscovered Vivian Maier. John Maloof, also a photographer, ended up buying a bunch of her negatives {30 – 40,000 to be precise} at a furniture and antique auction in Chicago. The auction house acquired her belongings from her storage locker that was sold off due to delinquent payments. Um, can you say gold mine? And he still has 600 rolls to develop. Who knows what else he’ll find!

Anyway, the story doesn’t end there. About a year after he bought the negatives, as he got more and more involved with Vivian’s photos, he did what any modern day person would do… he googled her. Her obituary had been posted one day before he hit ‘search’. Seriously. She died peacefully at the age of 83. I’m not sure what I love more, her photography or this story. I don’t know about you, but I can’t help wondering how many more ‘Vivian Maiers’ are out there, just waiting to be discovered.

{John Maloof has set up a blog to show her work, and is trying to put an exhibition together in Chicago, the place where Vivian lived for a large part of her life.}