medium /// painting




“m is for mysterious”

Magical forests, triangle mountains, Sasquatches, small towns, a question about beaver tails, AND a fellow Canadian … painter Meghan Hildebrand is my lovely guest today. This is a description of her work that sums it up perfectly: With a unique vocabulary of symbols, she translates her northern coastal landscape into electrifying dreamscape scenarios, each image often alluding to a larger narrative. Exactly. Listen right up there under “If The Flame Rises”, or you can subscribe on iTunes.

First up, Meghan’s visual vocabulary that she calls on in all of her work. There are dots, dashes, rainbow-esque lumps, upside down Vs, and lots of pointy Ms. Take a peek:

Sigh. Love.

These are a few pieces from her latest series, titled “Fire Season”. It was the body of work she mentioned that began with a coat of light pink gesso! Gorgeous, and a really smart way of getting around the whole ‘scary white canvas’ situation:

Oh, it’s all just so beautiful! For those of you in Toronto, this is the info for her solo show of this work opening at Mayberry Fine Art on May 6. GO!

Up next, “Giants”. This is my favorite series… Sasquatches staring back at the viewer, dreamy watercolor tree bark, tiny faces hiding in the trees, and oh, all of those patterns! Seriously, just so gorgeous:

Doesn’t that just make you want to make stuff? Beautiful.

Speaking of beautiful, Meghan lives in a lovely small town on Vancouver Island overlooking the Pacific Ocean. Not a bad place to spend your days:

Ahhhh, that view. I’m kind of waiting for a bear or a Sasquatch to pop up into frame though.

And finally, I’ve always thought Meghan’s work would be perfect for a mysterious, beautiful, fantastical kids’ book… especially her whimsical watercolors. I mean, just look at these:

Right!? Someone call her about this because seriously, these could become one of those books that children remember forever … much like the three books that Meghan and I were reminiscing about – links below. Oh, and btw, I am totally reaching out to galleries in LA and Portland because this woman should be showing up and down the coast, yes? YES. {Watch out Seattle and San Francisco, you’re on my list too.}

Alright, and with that I will say thank you so much to Meghan for doing this with me,  granted I wish we’d been eating ‘Beaver Tails’ during our conversation… next time! Thanks to Saatchi Art for supporting this episode, and as always thanks to you for listening. There will be more art for your ear next weekend.

Other links:

  1. “That Night In Toronto” – the show Meghan is doing with me!
  2. Mayberry Fine Art
  3. The Tragically Hip
  4. Madrona Gallery, Victoria BC
  5. Martha Rich, Episode 1
  6. Kootney School of the Arts, Nelson BC
  7. NSCAD
  8. “Norbert Nipkin” / “The Rainbow Goblins” / “Swimmy”
  9. Beaver Tails!

 





john honeywill

If eating oil paint wasn’t bad for you, well, you know. This is the delicious work of Australia painter John Honeywill. He paints “the quiet visual conversations between everyday objects; paintings that explore presence and stillness in the genre of the still life – a genre that links the intimate world with the public.” Yes, yes he does. His portfolio is full of lovely table top subjects like bowls filled with gooseberries, and old jugs overflowing with flowers – but it’s Friday, and honestly the only thing I could see were his beautifully reflected meringues, rocky road bars, and those pink blocks of Turkish delight … ah yes, let your weekend cravings begin. You’re welcome.





charlotte keates

London based artist Charlotte Keates spent the summer and fall of 2016 on an ‘inspiration trip’ around the USA and Canada. The result? “Sojourn”, a new solo show that opens May 4th at Arusha Gallery in Edinburgh. Now, you’d think I’d be posting all of the Canadian pieces, but weirdly my favorite pieces are the California-esque pieces… this Canadian girl wants to see palm trees!





mando marie

And for scale…

Oh, YES! Years ago, as in within the first month of launching ‘The Jealous Curator” I wrote about Mando Marie (aka Amanda Marie in 2009). To say I was obsessed with her work back then would be a massive understatement. Over the years I tried finding her again but her site was gone and I wasn’t sure if she’d stopped making art… thankfully that is not the case! I just discovered that she has a new solo show, titled “Can It Be?” that is currently showing at The Marcy Project, 275 South 2nd Street Brooklyn (co-curated by Darren Johnston of Marcy, and Hyland Mather of Andeken Gallery, Amsterdam). If you’re in New York, please go… these large scale mixed media pieces (acrylic, aerosol, and sewing pattern on canvas) still take my breath away, 8 years later.

ps. I’m trying to book her for the 100th episode of the podcast! … #fullcirclemoment 





“fire, failure and fatty snacks”

My email to Toronto based artist Brian Donnelly went something like this: “Do you want to come on and talk about hand sanitizer, turpentine and burning stuff?” He said, “yes”. Turns out we also covered axe throwing, chips ‘n dip, “Degrassi Jr. High” and oh so much more! You can listen right up there under his painting titled “Pineapple Express”, or you can subscribe on iTunes.

As always, let’s kick things off with a few of my favorites:

Yep, this is where both the hand sanitizer and turpentine come in! These paintings are the result of years of experimentation, and a desire to explore the idea of “loss of visual information”. Nailed it.

Next, nudes from an earlier series {which ultimately evolved into the work above}:

Stunning work, but after awhile he didn’t feel like they were telling the story he wanted to tell. Time to push further, and take more risks… a constant theme for Brian.

Ok, his hair! Well, not his hair, but the hair on some of his paintings… LOVE. Now, just to be totally clear, he also paints men in this series but because I’m slightly obsessed with portraits of women those are the pieces I’ve chosen to show. Also, pink top knots are my jam. The first piece below {titled “Fountain of Youth”} is from 2014, the year Brian got really into painting detailed tresses:

Gorgeous! I threw in the bald guy so you could see what Brian was talking about re: the challenge of painting stubble.

Alright, well that was hand sanitizer and turpentine… now it’s time to talk about burning stuff. Enter “La Pucelle”:

The original painting burned completely, with only 19 prints left behind… each signed and numbered with the ashes of the original. Yeah. Add to that his story about Joan of Arc, aka “La Pucelle”, being burned alive at age 19 {hence the 19 prints} AND his ideas around making duplicates of work and voila, you end up with this show/series titled, “ORIGINAL COPY”. Brilliant! If you happen to be in Toronto you can see this show at Unloveable Gallery until the end of April. You can also hear Brian’s artist talk there on April 22. Grab a free ticket right here! {maybe he’ll bring sour cream n onion chips!}

Up next – “Reliquaries”:

Yes, they’re pins! I’m so curious to see where this goes. Somewhere? Nowhere? That’s the exciting part!

Ooh, and while we’re getting excited, who’s up for a little axe throwing?

Work in progress

A post shared by Brian Donnelly (@bbbriandonnelly) on


YES! All hail the University of Windsor and their artist residency because I’m pretty sure nobody else would say, “Sure you can throw axes on campus – where would you like to start?” This is a self portrait of Brian that wound up slightly, well, axed.

I had to bring this up in the Not-So-Speedy Speed Round. Degrassi Junior High… ok, it’s a Canadian thing. It also happens to be a fun/weird exercise in “being right” that Brian has made into a, um, hobby? This was a teen TV show in the late 80s/early 90s set in Toronto. When Brian isn’t painting, burning things, or throwing axes he likes to ride his bike around the city proving that he knows exactly where certain scenes were shot. All of his “proof” lives on his site, DegrassiPanthers.com. Here are a few of the THEN and NOW photos:

This makes me so happy. I haven’t heard the name “Joey Jeremiah” in decades!

And finally, a shot of Brian in his home studio:

Ah, yes… safety first. Thanks so much to Brian for sharing all of his funny stories, his process, and a new chips ‘n dip combo for me to try! Thank you as always to Saatchi Art for supporting another episode, and of course thanks to you for listening. There will be more art for your ear next weekend.

Other links:

  1. Sheridan College
  2. OCAD University
  3. Robert Bateman
  4. “Origin of the World” article
  5. Unloveable Gallery, Toronto
  6. Marni White {artist, and Brian’s partner}
  7. Stephanie Chefas Projects, Portland
  8. Venison Magazine 
  9. University of Windsor
  10. Brian’s Instagram
  11. “Pretty / Peculiar”, Alison Milne Gallery
  12. “That Night In Toronto”, Mayberry Fine Art

 





nathalie lété

If this doesn’t put you in the mood for chocolate bunnies, well, I don’t know what will. Paris based artist Nathalie Lété does so many absolutely gorgeous, odd, whimsical, beautiful things… but since it’s all Easter all the time at my house this weekend, I thought I’d say ‘Happy Friday’ with a handful of her gorgeous, odd, whimsical, beautiful rabbits. Ok, off I go to eat my weight in chocolate!





nomi stricker

Oh my. Paintings that live right on the border of landscape and abstract. This is the dreamy work of Canadian artist Nomi Stricker. Lively brushstrokes and lovely colors have me dreaming of the ocean… right? Well, that’s what I see anyway. Here’s Nomi’s description of her recent work:

“My recent paintings depict curious and improbable spaces. Places and sites I have visited on my travels, in my daily experiences, and in my subconscious dreams contribute to these fictions. Memories, imaginings, and source photographs are fused, morphing into fantastical abstract landscapes.”

Cotton-candy waves crashing on the rocks… if you ask me.





olaf hajek

Gasp! “Antoinette // Flowerheads” is a mixed media series by Berlin based artist/illustrator Olaf Hajek. Now, I’ll admit that I’m a little late to the party … I believe he started this series in 2010, but when you find women covered in birds and flowers with mismatched eye color, you drop everything and share them immediately.





mark todd

FAKE RECORDS! Oh my word I love them so much. Glossy paint on cut wood, and some of the best titles in town! I was lucky enough to see this series, by LA based artist/illustrator Mark Todd, in progress. I stopped by Mark’s studio when I visited LA in February, and fell madly in love with his totally fake record collection… or maybe it was ‘Nick Sweet’ and his mustache that made my heart race {although, I have a feeling he’d really mess things up}. All of these pieces are currently hanging in, “DON’T GO TO HELL WITHOUT SAYING GOODBYE” at the Webb Gallery in Texas. The show just opened yesterday and will be up until June 2, 2017. Go if you can because the photos do not do these hit records justice!





“humor, how-tos, and hindsight”

So, if you listen to my podcast, you know I’ve got a soft spot for funny art… combine that with hand-lettering, gouache, and some tacky cats and I’m all IN. I discovered the wonderfully kitschy work of Melbourne based artist Anna Hoyle last spring. Her paintings of book covers are hilarious and beautiful and I had to find out how and why she makes them. There also appeared to be a major detour in style and career around 2005 so I wanted to ask about that too, and I did. Listen right up there under that little hound with bad hair, or you can subscribe on iTunes.

First up, a few of my faves:

So much LOVE!

Now, here are her ink drawings from 2000-2005 that she was showing quite a lot. Gorgeous but so different than her work now:

She mentioned adding a bit of color when she started getting tired of black and white only, but it wasn’t enough for her. Enter her stacks of books painted in bright, beautiful gouache:

Oh, those little legs! And yes, this work finally allowed her to bring her sign painting skills into her fine art work. A few “sluggish frumps”, “Painting à la mode”, and of course, “Painting is for Pussies”.

Here are a few of her totally fictional, totally fabulous book covers … price tags and all:

 

Gah! I love everything, especially that last one! We talked a bit about why she loves books, but she sent me a follow-up email to explain it further, so I’ve included that here:

“I chose to paint books because they are gorgeous objects, but more importantly, they have this threatened and precarious quality in the digital age. I like to paint ‘how to’ and ‘why’ research kinda books because they are the very books that no one really turns to in the age of youtube/google … but, the whole point of my books are that they are about ridiculous, absurd subjects to research anyway.” 

Speaking of which…

Ha! Yes! Anna says she has plans for this jailed kale, so we’ll have to keep an eye on her shop!

During the Not-So-Speedy Speed Round™, I asked her if she was a “cat person” or a “dog person”… she answered “dog person”, but you can see why I wouldn’t be certain either way:

Kitschy cats and lots o’ hounds… her birds are fantastic too!

And finally, I asked if she could send me a few images from her childhood drawings, and what she dug up was hilarious! Turns out, Anna’s been “taking the piss” out of old advertisements, playing with funny text, and using bright colors longer than she realized:

“Beauty without the Beast” … HAHAHA! Sigh. Such a perfect way to wrap up this episode. Thank you so much to Anna for sharing her story {and seriously, how is she not already a full time illustrator!? Agencies, brands, etc… CALL. HER.} Thank you as always to Saatchi Art for supporting this episode, and BIG thanks to you for listening. There will be more art for your ear next weekend.

Other links:

  1. Anna’s Print Shop
  2. Maira Kalman
  3. “Middlesex” by Jeffery Eugenides
  4. Thea Astley, Australian writer