medium /// vintage




i’m jealous of randy grskovic

You know how I feel about Polaroids, right? And, you probably also know how I feel about geometrics… not to mention found image collage. Ok then, check these out:

Oh! So good. Canadian artist/curator/all-round creative guy Randy Grskovic is the man behind these lovely gems, which are an exercise in exploring memories whose documentation has been lost {ie., your mom threw out a bunch of your childhood photos when you left for college – why would she do that?!}.

Now, what I love even more than these images is that Randy didn’t stop here. I’ve often talked about how much I admire artists who continue to push themselves and evolve their work – well, have a look at part II in this “Found Photographs” series:

Are. You. Kidding?!

{ps. Randy has an indigogo project happening right now, titled “100 Patrons” – it’s all about the artist/patron relationship, and making affordable art accessible to all. He’s half way to his goal with 17 days left. Pop over there and help if you can.}





i’m jealous of holly wales

Holly Wales: Most likely to make me jealous using only felt-tip markers and white paper!

Oh I love this piece, titled “Class of” by London based artist/illustrator Holly Wales. This puts the doodles in my year book to shame! … hm… I’m pretty sure I dated the guy with the horns. Aaaaanyway. Oh, and look what she does with colored markers:

Vintage motel signs, hand-drawn with brightly-hued, juicy felt-tip markers… ♥

{ps. all of these drawings can be purchased as prints, right here.}





i’m jealous of todd sanders




So, I was in Austin a few weeks ago, and somehow, found THIS! I’d read about this gallery, Roadhouse Relics, but never thought I’d actually have time during my whirl wind trip to make it over there… and then there it was, right in front of me as I crossed First Street… it was an artsy miracle.

All of these old vintage neon signs, are actually brand new neon signs designed and built to look old, by Austin artist Todd Sanders. If you follow me on Instagram, you’ll see that I did my best to document a few of my favorites {some are posted above}, but one was missing. There was a piece that I’d seen/loved online that wasn’t up in the gallery that day. This is it:

A giant mason jar full of neon fireflies? Love.





i’m jealous of francisca prieto

Gasp! I’m a little bit lost for words {which is rare for me}. This is just so beautiful, and oh so meticulous. This work is from the paper-folding series, Between the Folds, by Chilean born, London based artist Francisca Prieto. These sweet little birds are from pages of “A History of British Birds, 1870″, but now they are catalogued in an entirely new way… a delicate origami, tiny hidden window kind of way! LOVE. And there’s so much more where those little birds came from! Francisca folds just about everything – ornamental designs from 1892, British botanicals, some very very old maps:



I already said , Gasp!, right? ♥





i’m jealous of maz dixon




Yes. Oh my goodness… YES!!! This is a series, titled Attraction, by Australian artist Maz Dixon. Sigh… these hilarious paintings whisk me off to my childhood instantly! Oh, I wish that I was spending a sunny day at the beach with a giant pineapple, a huge shrimp, AND a dolphin that I could kiss – but I digress – here’s what this series is all about:

The Attraction series is an examination of the prescriptive nature of souvenir media. Souvenir manufacturers photograph the scenery and attractions of a holiday destination, and mechanically reproduce these scenes for mass consumption through postcards, view-folders, tea towels. These items become instruction manuals for viewers, showing them how they are to experience their destination. Mass-produced imagery becomes mass-produced experience.

By separating figures and landscape from each other, the relationship between viewer and souvenir is realigned. With context removed, the viewer is free to create their own narrative around figures or landscapes.

Yep… and my narrative includes a giant pineapple, a huge shrimp, AND a dolphin that I could kiss.





i’m jealous of richard vergez

Well, clearly American artist Richard Vergez has a thing for billowing smoke… hm, and it appears that I do too! His portfolio is actually full of all sorts of amazing collages don’t have smoke in them, but there was just something about these that called my name! Oh, and there was also this:





02.03.2013

Good morning!

So, let me explain what we’re doing here on the weekend! There are so many artists that I’d love to hang out with… especially over french toast and a latte. Ah yes, two of my most favorite things. Art, and brunch. Now, I can’t fly around the world every Saturday morning, so I’m gonna fake it. Enter this new series – “weekend brunch” – a five question interview with one of my favorite artists, “at” their favorite brunch place.

Up first, Seattle based artist Shaun Kardinal. I asked Shaun to choose our destination, and he picked “Oddfellows Cafe” in Seattle… looks like a lovely place to me! Ok, grab your coffee, and let’s do this:

………………………………………………………………………………………………………………………

JC:  hi shaun… what are you gonna have?

SK: eggs benedict, a mimosa, a coffee, and a water, please. i partied a little hard last night–three liquids are essential. what about you?

JC: hm. same, hold the mimosa. i’m a light weight. so, thanks for having brunch with me! … who do you usually have brunch with?

SK: you know, i haven’t actually been out to brunch in a long time! i’m a bit of a homebody by day (definitely not a morning type), and find myself more inclined to plan ahead for a meal at home, should i expect a big breakfast on the horizon. that said, in the past, brunches have almost always been group affairs, with friends meeting again after partying the night prior.

JC: what are you doing later? do you normally spend the weekend making art, or do you use saturday and sunday for other stuff?

SK: oh my god – there’s no way i am getting anything done today. being a freelance designer, i don’t so much subscribe to weekends, so i take days off when my body requires them, and  getting out into the world for brunch was enough for today with this foggy head. afternoon movie on the couch?

JC: which movie?

SK: there are a lot of recent releases i’ve been hoping to see lately, but today i definitely need something light, not too conceptual. probably an old favorite like “stranger than fiction” or “royal tenenbaums”. maybe a woody allen flick, ideally one with diane keaton! if i really can’t pick, i’ll just put on a half dozen episodes of “arrested development”.

JC: ok, well after you recover, do you want to go {pretend} searching for old postcards? i’d love to see where you find all of the amazing bases for your work!

SK: that sounds fun. in fact, my supply is dwindling so a hunt is definitely in order soon. there is a great antique shop down on the waterfront that has a big stack of postcards i love to dig through. they also have an awesome collection of LIFE magazines, and every issue of playboy since the early 70s, should you want to grab your birthday issue – i already have mine!

JC: nice! i do have a thing for vintage playboys (seriously). ok, so this is no secret but, i LOVE embroidery on found images. how did you learn to sew so precisely? do the mimosas and coffee help with a steady hand?

SK: simply put: practice. there are only so many ways for the thread to pass through paper, and against itself, and with each piece, each pattern and with many different weights of paper, i’ve learned better and more efficient ways to solve every puzzle.

…and yah, sometimes a drink ain’t so bad either : )

JC: ah, so fun! thanks for breakfast shaun… i’ll pick up the tab this time ; )

SK: much obliged.

……………………………………………………………………………………

And that’s how we do it! A fake brunch with one of my favorite artists… I really could go for some REAL eggs benedict, a coffee, and a little vintage postcard shopping with Shaun though. Come back next Saturday and join me in another restaurant, in another city, with another fabulous artist. Happy weekend to you!





i’m jealous of katrien de blauwer

Ok, this is some of my most favorite collage I’ve stumbled upon in quite some time! Belgium based artist Katrien De Blauwer combines only two images in each piece, yet magically creates a fascinating & mysterious story. Oh, and don’t even get me started on her amazing color palette, created solely through found images and found paper that she somehow manages to maintain throughout her entire, huge, gorgeous portfolio. Love with a capital L.

…And, as a little post-nod to the Oscars, here are three pieces from Katrien’s series, “Cinematic Cuts”:

{via Erna Reiken on Pinterest}





oh, hello chattanooga!

Well, I’m off {literally on a plane right this very moment} to Tennessee! It’s going to be an amazing trip. Here’s how the next few days fold out:

Wednesday:

* Finally meet Mark Bradley Shoup! : Atlanta airport

* Start installing Beautifully Boring at Tanner Hill Gallery

Thursday:

* 10 am EST : Airing of interview with NPR affilate, WUTC ~ wutc.org

* 10am ~ 4ish : Tours of the Art & Design students’ studios ~ University of Tennessee at Chattanooga

* 5:30pm : Lecture at the University of Tennessee at Chattanooga

Friday:

* Hang out with Leah Giberson and Samantha French… wishing Holly Farrell was with us too!

* 5:30 – 8pm : Opening of Beautifully Boring at Tanner Hill Gallery (Curatorial Talk ~ 6pm)

Oh, and one more crazy perk to this trip?! I get to meet an artist that I have loved for AGES… Chattanooga based artist Hollie Chastain will be swinging by the opening as well. Here are a few of my favorite collages by Hollie:

Sigh. I feel like I might to get wrapped up in a cozy diamond blanket when all of this excitement is over! Stay tuned – I’ll have photos of everything very, very soon!





i’m jealous of lisa kokin



Found images, AND thread? Oh, be still my beating heart! California based artist Lisa Kokin is killing me with this work. Here are Lisa’s words about these images, from her Sewn Found Photos series:

Sometimes there are inscriptions on the back (“Susie, 7 years old”) but more often they come to me stripped of all identity. I sit in my studio and speculate about the nature of the photographed people’s lives. I will, of course, never know the truth, so I feel it is my job to give them new lives and rescue them from the obscurity they would be headed for were it not for me, humble servant of the arts. I try to invent an altogether different identity for them but of course, in the final analysis these works are more about me than any of the hundreds of anonymous individuals who appear in my work.

I am intrigued with other people’s photographic recording of their lives both for the generic quality they possess — the family and social rituals, studio portraits, vacation shots — and for the feeling of sadness and nostalgia that acquiring other people’s memories provokes in me. I feel somehow that it should be illegal to own them, yet since they are for sale it might as well be me who buys them.

… and this is literally only a fraction of her portfolio. Just wait til you see what she does with old books!

{I found the first image in the post on Pinterest, via Artsy Forager}