{"id":24937,"date":"2016-03-21T03:00:04","date_gmt":"2016-03-21T10:00:04","guid":{"rendered":"http:\/\/www.thejealouscurator.com\/blog\/?p=24937"},"modified":"2016-03-16T20:47:20","modified_gmt":"2016-03-17T03:47:20","slug":"spencer-merolla","status":"publish","type":"post","link":"https:\/\/www.thejealouscurator.com\/blog\/2016\/03\/21\/spencer-merolla\/","title":{"rendered":"spencer merolla"},"content":{"rendered":"

\"spencermerolla\"<\/a><\/p>\n

If you’re thinking to yourself,\u00a0“Cool… wait… is that… hair?”,\u00a0you’d be exactly right. Crazy and amazing. This is the work of Brooklyn\u00a0based artist\u00a0Spencer Merolla<\/a>. I’m going to let her explain what this is about and where it came from:<\/p>\n

“This series takes the Victorian women’s practice of sentimental hairwork as its jumping-off point. For the Victorians, mourning was a very public act. Rather than a private emotion or an embarrassment, grief was a popular motif for the arts and fashion. What strikes modern sensibilities as mawkish and overly sentimental behavior was, at the time, considered proof of a person’s sincerity and morality. Ornamental hairwork, painstakingly crafted from the hair of loved ones, was a fashion that insisted the wearer embodied these virtues. This work plays with the tension between sincerity and emotional performance, imagining a contemporary practice in which moderns might socially engage with death’s physicality. The dissonance of the craft (when transposed onto the emotional and aesthetic landscape of our times) draws attention to the ever-shifting boundaries of permitted public display.<\/em><\/p>\n

That the hair must be severed from the body to be worked in this fashion is a compelling aspect of the practice for me. With few exceptions, the provenance of antique hairwork is now unknown. As a result, it loses its essential quality of referring to a specific person, while still being a distinctively \u201cpersonal\u201d object. In a sense, the story of hairwork is a testament not of our capacity to remember our lost loved ones, but of our ultimate inability to hold onto them.”<\/em><\/p><\/blockquote>\n

Yep. Crazy and amazing.<\/p>\n","protected":false},"excerpt":{"rendered":"

If you’re thinking to yourself,\u00a0“Cool… wait… is that… hair?”,\u00a0you’d be exactly right. Crazy and amazing. This is the work of Brooklyn\u00a0based artist\u00a0Spencer Merolla. I’m going to let her explain what this is about and where it came from: “This series takes the Victorian women’s practice of sentimental hairwork as its jumping-off point. For the Victorians, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[3,6,493],"tags":[],"_links":{"self":[{"href":"https:\/\/www.thejealouscurator.com\/blog\/wp-json\/wp\/v2\/posts\/24937"}],"collection":[{"href":"https:\/\/www.thejealouscurator.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thejealouscurator.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thejealouscurator.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thejealouscurator.com\/blog\/wp-json\/wp\/v2\/comments?post=24937"}],"version-history":[{"count":3,"href":"https:\/\/www.thejealouscurator.com\/blog\/wp-json\/wp\/v2\/posts\/24937\/revisions"}],"predecessor-version":[{"id":24941,"href":"https:\/\/www.thejealouscurator.com\/blog\/wp-json\/wp\/v2\/posts\/24937\/revisions\/24941"}],"wp:attachment":[{"href":"https:\/\/www.thejealouscurator.com\/blog\/wp-json\/wp\/v2\/media?parent=24937"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thejealouscurator.com\/blog\/wp-json\/wp\/v2\/categories?post=24937"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thejealouscurator.com\/blog\/wp-json\/wp\/v2\/tags?post=24937"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}