medium /// sculpture




james maxwell

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Whoa, whoa, whoa… wait. I thought these were perfect key line drawings. They are… except that instead of pencil lines, they’re iron rods. Perfect iron rods welded into line drawings! This is the work of Toronto based artist, designer, and teacher James Maxwell. If you’d like to see these beauties in person, James has a show on now through the end of September at the Elaine Fleck Gallery {1351 Queen St. West,  Toronto}. Metal?!





zemer peled

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Wow. Ceramic shards transformed into beautifully bizarre {very sharp} botanicals. I’ve written about Israeli artist Zemer Peled‘s gorgeous work before, but I just had to post about her current solo exhibition, titled “Nomad”. The up-close photos of Zemer’s pieces are gorgeous, but understanding their scale within a space makes them even more crazy amazing. These installation shots are from Mark Moore Gallery in LA where this work will be on display from now until November 5th, 2016. Go… but don’t touch anything. It’s sharp!





“don’t discount small opportunities”

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So, my plan had been to title this episode, “Reimagining Natural History”, which is the way Melbourne based artist Kate Rohde describes her work {as you can see from that fantastical blue display case up there} … but we just had so many great bits of conversation around the idea of just ‘saying yes and figuring it out later’ that I just had to kick things off with that thought! I wrote about Kate a few weeks ago, but last week’s guest, Sandra Eterovic, told me I had to reach out to Kate. So I did. And she said YES. Now, she’s not alone on this call. Her four month old baby boy was along for the ride! So sweet. You can listen right up there, or you can subscribe on iTunes.

Let’s start off with a few of my candy-colored favorites from my recent post about Kate:

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Yes! Remember those? So good.

Next, here’s an installation, titled “Chateau Fatale” from 2005 that truly does “reimagine natural history”. I would happily spend the day in this super weird museum:

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Fantastic! {Photos by Harry Fatouros}. Now, speaking of fantastic, I quickly mentioned Kate’s pieces under glass … mainly so that I had an excuse to put these images in the post:

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That is a whole lot of colorful craziness… very different than the “brown and green” Australian landscape that Kate grew up in.

Up next, an insane collaboration with Australian fashion label Romance Was Born. They created custom textiles using collaged images of Kate’s work, and she made bizarrely beautiful resin accessories {yes, including horns}. This collection is called “Renaissance Dinosaur”, which might be the best name I’ve ever heard in my entire life:

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Oh. My word. It’s like a crazy dream that I wish I could have every night. This project led Kate to making more jewelry… candy-hued, translucent, chunky jewelry that I would have a really hard time not licking:

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Sigh. Stunning. ps. You can find Kate’s jewelry at Pieces of Eight, which also happens to be where I found these images.

One of my favorite bits of this episode was when we talked about lulls. Oh, lulls. You’d think they’d be a nice time to rest and recharge, but because we can’t predict the future lulls can feel more like THE END. Good news… they’re not. Not as long as you keep making stuff. During Kate’s lull she made vases. They don’t look like a lull to me! Now, we didn’t actually talk about this collaboration, but it’s just so beautiful I had to include it:

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Now THAT is how you show off vases! Kate collaborated on this shoot with Melanie Stapleton from a floral studio in Melbourne called Cecilia Fox {that’s Melanie on the left, and Kate getting things just so on the right}. GORGEOUS! 

And finally, Kate in her home studio. She lives upstairs and works downstairs:

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Love it… and of course, I love that chunky bracelet! Thank you to Kate for taking time to do this with us, and HUGE thanks to Tristan for letting me distract his mama for almost an hour. He did so well  ♥ Thanks to Saatchi Art for supporting this episode, and thanks to audible.com for making my new book into an audio book! To preorder a copy for FREE {or to pick up any other book you might want} just use my link: audibletrial.com/JealousCurator. Finally, and as always, THANK YOU for listening. There will be more art for your ear next weekend.

Other links:

  1. Sandra Eterovic episode
  2. Kate’s work on SaatchiArt
  3. National Gallery of Victoria
  4. Romance Was Born Collab.
  5. Kate’s upcoming show, “Luminous Realms” at Craft Gallery, Dec 9 – Feb 2017
  6. Kate in her studio: Photo by Tobias Titz

 





sigalit landau

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Gasp! A modest black dress transformed into a magical, crystal-covered wedding dress all thanks to a three month submersion in the Dead Sea. “Salt Bride” is the work of Tel Aviv based artist Sigalit Landau, in collaboration with her partner Yotam From. There are so many poetic elements to this work, the first being Sigalit’s connection to this water. She grew up going on family holidays to this sea and knows it well {*fyi, this dress is not the first thing she has turned into a salty gem}. Secondly, her inspiration for this piece is beautiful too:

The traditional Hasidic garment shown in the photographs is a replica of the costume worn by the female character Leah in the canonical Yiddish play, The Dybbuk, as portrayed by legendary actress Hanna Rovina for forty years with the Habima Theatre, first in Russia and then Israel.

Written by S. Ansky between 1913 and 1916, The Dybbuk tells the story of a young bride possessed by an evil spirit and subsequently exorcised. In Landau’s Salt Bride series, Leah’s black garb is transformed underwater as salt crystals gradually adhere to the fabric. Over time, the sea’s alchemy transforms the plain garment from a symbol associated with death and madness into the wedding dress it was always intended to be. ~ Marlborough Gallery, London

Amazing, and perfectly executed. There are currently eight large-scale, underwater photographs of the “Salt Bride” being exhibited at Marlborough Gallery in London. They’ll be on display until September 17th, 2016.

* A few other salt-covered objects from Sigalit’s stunning portfolio:

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That bike. Love.





serena garcia dalla venezia

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Gasp! So many colors, and oh so many little balls of hand-sewn goodness hanging on the wall! This is the organic/organized work of Chilean artist Serena Garcia Dalla Venezi. I can’t decide if I want to lie down on them, hang them on my wall, or eat them! Now if you’ll excuse me I’m going to go chew several flavors of bubblegum for breakfast.

{via Lisa Congdon on Pinterest}





tasha lewis

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Pearl encrusted, underwater beauties… so lovely in a strange, magical, ghostly mermaid kind of way. All of these haunting hand-sewn sculptures are from a series, titled “Full Fathom Five”, by New Jersey based artist Tasha Lewis. Here are her words about this project:

“With these works, I imagine the decay or “sea change” described by Ariel in Shakespeare’s The Tempest:

Full fathom five thy father lies;
Of his bones are coral made;
Those are pearls that were his eyes:
Nothing of him that doth fade,
But doth suffer a sea-change
Into something rich and strange.

In these portraits, time on the ocean floor has replaced their eyes with pearls and thread and they are everywhere encrusted with beads.”

Sigh. Happy Monday.





ramon todo

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Books… filled with GLASS. Oh my word (no pun intended), I absolutely love this series by Tokyo-born, Dusseldorf-based artist Ramon Todo. Most recently he’s been slicing rocks in half, filling the gap with bluish-green glass, but these books. Oh, these books have my heart. Happy weekend.





kate rohde

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Bizarre, animal-covered vessels made with fluorescent resin. They look like crazy, fruit-flavored candy… that I kinda want to try {don’t worry, I won’t}. This is the work of Melbourne based artist Kate Rohde. All of these pieces are from an exhibition, titled “Ornament Crimes”, that opened last week at Karen Woodbury Gallery in Melbourne. It will be up until September 3rd, so pop over if you can. Here’s part of the description of this series from the gallery’s site:

Inspiration is drawn from the legacy of Baroque and Rococo art and design, a lavish aesthetic now near-abandoned in the name of good taste. Belonging to a former aristocratic order, art and design during these periods of embellishment signified decadence in excess. Rohde has long been attracted to excess and the spectacular, and ‘Ornament Crimes’ is unashamedly decorative with its hyper-colour, poised animal features, and entwined flowers and vines. The exhibition is labour intensive, each editioned work handmade and highly detailed.





thomas gromas

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Big layered text sculptures… yes… pinch me, I must be dreaming! This is the work of Belgian artist Thomas Gromas. I absolutely love these pieces, not only because they’re beautifully made, but they also come with a message that’s good for all of us to remember:

“…we’re always missing out on something, there’s always something we’re wishing for, we’re always looking for more. There is always a better place, a better thing. These are the themes I pursue; the fake reality , the manipulated environment, the artificial life … The repetition of words/text is a way to emphasize the idea behind it. It reflects the need we have of always wanting more and never being satisfied.”

Yeah. Why do we do that?

{via, and available on, Saatchi Art}





“castle in the car”

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What!? Rachel Castle? Yep! I managed to get Sydney based artist, designer, entrepreneur, lover of wiener dogs… Rachel Castle to come on the podcast. I was so excited about this because Rachel has always been a bit of a creative enigma to me. She does so much, her work is so popular, and honestly I’m kind of intimidated by her success… success that has always seemed effortless from where I’m standing. I wanted to look behind the curtain, and I did! Turns out, she’s just a normal person. Who knew?! We cover everything from our favorite TV shows to her career in PR, over to dirty words in Australia that mean something completely different in Canada… and we did all of this from her car. For real. You can listen on the player right up there, or you can subscribe on iTunes.

First up, a few of her paintings {clearly you can see I like her floral pieces}:

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Ahhh! So gorgeous! These beauties sell so fast… in fact I’m not sure I’ve ever seen them without a SOLD sign underneath. Next up, you can’t talk to Rachel Castle without asking her about her felt text pieces:

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Yes! From KISS to Wham to a whole bunch of bananas in between … and yes, during the speed round I asked her preference between marmite and vegemite. Vegemite, obvi. Ok, and then of course there’s everything else she does outside of the paintings and felt pieces. Bedding, pillows, towels, sculptures, tea towels, bags, sweatshirts and more. Here’s just a teeny peek:

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Great, right? And yes, she clearly has a background in branding and marketing because, whoa, everything on her site looks FABULOUS!

Speaking of fabulous, here’s a look into her beautiful, messy, colorful studio {most of these photos came from her lovely instagram feed}:

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Yep. Love it. And thanks to her new-ish studio out of her house, her family won’t get stuck with pins that got left behind in the couch… hopefully.

So, sweet song lyrics and romantic sayings are great… but I have to admit, I kind of like the slightly ruder ones, as does Rachel:

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Turns out, not everyone agrees… not one “DOUCHE” print sold. Shame, I think it’s hilarious! And then in the speed round I just had to ask… did she have a wiener dog that looks just like mine? Yep! Granted, she calls hers a “sausage dog”, because, Australia:

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So cute! Oh, and that DAMN sweatshirt… yeah, we didn’t actually talk about that, I just really want it. That’s all.

Ok, and that’s that! Thanks so much to Rachel for talking to me for an hour in a very hot car, thanks to Saatchi Art for supporting the episode, and thanks to you for listening! There will be more art for your ear next weekend! xo

Other Links:

  1. Lucas Grogan
  2. Wayne White
  3. Roots