medium /// contemporary




amy stewart


Ooooh, aaaaahhhh… the shapes, the palettes, the brushstrokes! This is the nature-inspired work of Vancouver based artist Amy Stewart… and I had to throw that last image in so you could see the scale. So lovely. Speaking of lovely, here are a few words from Amy’s site about her work:

“[Amy’s] pieces are often inspired by the feelings that come both from the natural world and from engaging fully in her community and with her loved ones. “I paint how I feel and who I am,” Stewart explains. And that sense of humanity—the private experiences of suffering and celebration—are evoked by her canvases’ unique explorations of colour, which range from exuberant bursts of brightness to contemplative reflections on darkness.”

“I paint how I feel and who I am.” Love.





jet martinez

This is the bold, vibrant, flower-filled work of Mexican born, Oakland based artist Jet Martinez. His work “reinterprets the Mexican folk art of Amate paintings” … onto canvases and gigantic walls all over the world! I accidentally found one of his pieces that last time I was in San Francisco, and you guessed it, they’re even more stunning in person. Happy Monday.

ps. Follow him on Instagram… so much goodness on his feed.





just emerson

Okay, I’m trying to concentrate on the entirety of this fabulous sculpture show, but oh my word that giant mobile filled with sparkly childhood adventure is KILLING ME… it’s like a disco ball and ‘Stand By Me’ had a baby!!!  “Dinner’s Ready”, the latest show by American artist Just Emerson, is currently installed Skye Gallery, Aspen. And – because still photos don’t do my new obsession justice – here’s the install of “Fortune Teller’s Dream”:

 

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Gah! Gorgeous! This show will be up until June 5, 2019.





mark bartkiw

“… a fascination with the construction of imaginary worlds that mirror a distorted reality”. Indeed! This is the quiet and surreal work of Canadian photographer Mark Bartkiw. All of these mixed-up photographs are part of his ongoing series, titled “Uncommonplace”. Here are Mark’s words about this project:

“I put together photos taken from different parts of our world to create this alternate reality, one that is similar to our world but with enough difference to create uncertainty. I see these Images as a lucid dream that reflect our own distortions and interpretations of what we see. We make assumptions or judgement based on first glance. This remanufacturing of landscape and architecture results in objects and buildings that float in a slightly skewed space. Reassembling reality based on the experience of multiple places and locations creates new spaces that verge on recognizable, but defy definition. This process of reinterpreting the world is something that I do to feel more at home in the world. But the new world we create puts us on the wrong side of the mirror, looking back at the reflection of our ever-shifting psyches.”

Beautiful and bizarre. Speaking of which, I really want to go to that first beach scene.





colette fu

You didn’t see that coming, did you!? Collaged pop-up books are already fabulous, but then, hold on, what’s that, is it … a gigantic pop-up book installation!?!? Yes, yes, a thousand times yes! This is the work of Colette Fu. She is one of the artists in the “pa•per” show {that opens at Paradigm Gallery, Philadelphia on April 26th} that I wrote about yesterday. She’s based in Philadelphia, but has done extensive traveling through Asia… I love this story from Colette’s site:

“For 6 months, I traveled between Shanghai and select minority areas in Inner Mongolia, Northwest Xinjiang Province, Hunan, Guangxi, Guizhou and Zhejiang Provinces. Traveling through the mountainous Yi landscape, one old Yi man told me, “Although an eagle flies far into the distance, its wings will fold back. For the Yi, the ultimate goal of life is to find the path of your ancestors.” Another Yi man advised me, “Don’t follow the black road, which is madness, dampness, illness and the ghost road. You should follow the white road, which leads you back to your ancestors.” Constructing pop-ups allows me to combine intuitive design and technical acuity with my love of traveling as I try to understand the world around me. With pop-up books I want to eliminate the boundaries between people, book, installation, photography, craft, sculpture….”

Beautiful. Also beautiful, a peek at her work in progress:

So, so fantastic! Her exhibition, titled “We Are Tiger Dragon People”, is currently showing at the Taubman Museum of Art {Virginia} until September 8, 2019.





pa-per {a group show}

A 15 artist exhibition celebrating all things “pa•per”, and this isn’t even half of them! From insane paper-cutting pieces and embossed bodies, to ‘knife drawings’ and found image collage… Paradigm Gallery in Philadelphia has put together an exciting and eclectic show titled, yes, “pa•per” , and I am beyond thrilled to be one of the artists in this stellar lineup. Here’s a little more info about this upcoming exhibition:

“Though paper is often thought of as craft material, Jason Chen’s exhibition, pa•per, tries to re-contextualize the medium by showcasing 15 artists who use nontraditional techniques to elevate it. Artists participating in pa•per include: Kanako Abe, Daria Aksenova, Joey Bates, Albert Chamillard, Colette Fu, Lizzie Gill, Sally Hewett, Danielle Krysa, Rosa Leff, Huntz Liu, Ryan Sarah Murphy, Marianne R. Petit, Lucha Rodríguez, and Nayan & Vaishali. The gallery is known for working with established and emerging paper artists, but pa•per’s lineup is fresh and unexpected.” 

The show opens THIS Friday, April 26, 2019 from 5:30 – 10pm, and will be on view until May 18. Go, okay? Thanks! ♥





mé collective

Gasp! A big, beautiful, very solid “wave” that, because of the window behind it, looks like it’s moving as the light finds its way across the undulating ripples. This piece, titled Contact, is the work of Japanese collective, .  The group is headed by Haruka Kojin, directed by Kenji Minamigawa, and the production manager is Hirofumi Masui. Their portfolio is filled with all sorts of fabulous work… have a look at “Day With A Man’s Face Floating In The Sky”.

‘Contact’ is on view through May 26, 2019 at Mori Art Museum, Tokyo.

{via Colossal}





worthy of worth, part 2

On November 25, 2018 I wrote a post about WORTH – more specifically, feeling WORTHY OF WORTH. That post was the result of the first few months of my book tour for “A Big Important Art Book – Now with Women”. I’d noticed a recurring theme of people – especially artists – not believing they were worthy of living creative lives.

Five days after I wrote that post, my dad died. It was sudden, unexpected, and an absolute shock to my family. Everything stopped. My book tour, my urge to create, my will to shower daily. True. My dad has always been my biggest cheerleader – he pushed me hard too {which wasn’t always fun}, but he was in my corner every minute of my life.

I’ve had a long, hard winter. Never experiencing this kind of grief, I didn’t truly know the range of emotions you can experience in a matter of minutes. I was sad, then okay, then very very angry, back to crying uncontrollably, and then okay again. Honestly, I’m still riding that rollercoaster, but I’ve learned to accept the dizzying effects. The best advice I got was from a childhood friend who also recently lost her dad. She wisely said, “it’s okay to not be okay.” That’s hard for a control freak who tries to be on top of everything all the time, but allowing myself to “not be okay” has been the greatest gift I could give myself. If you’re going through any kind of grief right now, I hope this advice helps you too.

All of this to say, I’ve done a lot of soul-searching. It’s cliche, but life is short. My dad certainly had no idea that his last day on this earth would be after on a morning training run on the beach in Jamaica just days before the event he was there to run. So, what matters to me? What do I want? What do I want to do with whatever amount of time I have here?

I want to make my own art, and I want to help other people feel worthy of living a creative life too.

In late February, my grief fog started to lift a little – ie., I started brushing my hair again. My dad has always wanted me to kick ass at whatever I set out to do… so here we are. I built a studio in my basement. I have reached out to people who I admire for help with what my next steps should be. I have been making art every day. I finally wrote and pitched a children’s book that I’ve been thinking about {ie., hesitating to pitch} for three years … still waiting to hear about that one, but I’ll keep you posted!

People who follow me on Instagram have commented/noticed the sudden fire under my own artwork, and have been asking how, what, why? Well, all of that lonely soul-searching is definitely a factor, but there have also been FIVE key things. Now, this is in no way a sales pitch for ANYTHING so please don’t read it that way. It’s just the truth. I’ve never been much of a joiner… I don’t join groups, I have never liked talking to other people about my art, I’ve never even been part of a book club. That said, I’ve realized in the past few years of writing books and delving into the uncomfortable world of creative blocks and inner critics, that having the support of other creative people is absolutely crucial. You don’t need a tribe of 100 people… 2 or 3 will work just fine, and they don’t even need to be in your town. Most of my “tribe” are friends who live on the other side of the planet. Ok, so, here are the FIVE things that have pushed me to stop f’n around:

  1. My Dad. His famous line {used on me, my sister and my brother} was always, “the harder you work, the luckier you get.” Yep.
  2. Going to Venice in 2017 and 2018. Talk about a rollercoaster. The Venice Biennale is filled with the most insane artwork. Work that takes your breath away. Work that made me think, “My simple little collages are so pointless!” Now, the old me would have just quit right then and there, but ‘The Jealous Curator’ took her own advice, sat down with an espresso beside the Grand Canal and wrote a list of why her work was important, but also how she could push it further. This is not a sales pitch for attending the European Cultural Academy in Venice this July, but it is a pretty transformative place / experience. {FYI, I’m one of the teachers in July}
  3. Pennylane Shen. Damn. She is an artist consultant who will sit down with you {either in person or via Skype}, and help guide you / your work to the next level. If you follow me on Instagram you might have noticed my “simple collages” getting a lot less simple. Yep, that’s a combination of the Venice experience and working with Pennylane. Oh, and she also convinced me to finally build a proper website for my art.
  4. Turning my 100 year old basement into a studio. My husband suggested this after the millionth time I complained about not having enough room to take my work from small paper pieces to large panels. I didn’t procrastinate, I didn’t find reasons it wouldn’t work, I just got it done. March was filled end to end with renos {pictures coming soon!}, and voila, it’s done. Now, after I drop my son off at school, I “go to work”. I pour a coffee, put on my paint-covered apron, kiss my husband goodbye and head down to my studio for the day. Sometimes I cry due to overwhelming happiness.
  5. Thrive. Again, not a sales pitch, just something I’ve been doing for the last couple of years that has helped me find my way. If you haven’t heard me talk about them before, it’s basically a mastermind group {online} for female/female identified artists from all over the world. I think it’s the accountability that goes along with our once a month meetings that has helped me make a plan and stay on track… when you know you have a meeting coming up, it kinda lights a fire under you to do the stuff you told your group you were gonna do!

My sleeves are rolled up, and there will be no more apologizing, hesitating, or feeling unworthy of the success I want. I’m going to go get it. I’m going to make my cheerleader proud.

Thank you for listening. ps. If you’re wondering why my podcast has been on hold, see above. It will come back, but the grief rollercoaster is not conducive to recording conversations with people you don’t know! Until I feel ready, there are 151 episodes archived for you.





liza lou

Glass. Beads. Millions of glass beads… and in the case of that white “rope”, a “Continuous Mile” of glass beads. This is the absolutely stunning work of Los Angeles based artist Liza Lou. According to her website, Liza “utilizes glass beads as an index of intensive labor”. Mission accomplished.





cindy rizza

Sigh. Are you thinking about your grandmother right now? Me too. Oh, so many feelings, memories, smells … and these aren’t even my blankets! That is the magic of nostalgia, and when you combine beautifully boring subject matter with the insane oil painting skills of New Hampshire based artist Cindy Rizza, well, here we are. I wrote about Cindy six years ago, so I’m thrilled that I was recently pointed her way again. Here are Cindy’s words about her work:

“My work quietly examines familiar domestic comforts and the objects that we use to feel secure. In examining the unique identities of heirloom textiles and childhood nostalgia my work summons conflicting feelings of comfort and loneliness, hope and foreboding, and of life and loss. I aim to expose the contradictions within the subjects – to honor the comfort and love they bore, but unfold the truths of what we are fearful of in the darkness.

Beautiful.






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