medium /// contemporary




shannon goff

A cardboard car … CARdboard. Okay, sorry. This is the work of American artist Shannon Goff. She does fabulous things with clay as well, but this car – the 1979 Lincoln Continental Mark V, to be specific – stopped me in my tracks. That dashboard? The wheels? That trunk!? Detail and craftsmanship that would make her grandfather proud. You see when Shannon was little, her grandfather bought one of these American beauties (in metallic turquoise no less), and she remembers “the Mark V’s smooth ride conjuring up the sensation of floating on a cloud.” Here is a little more info about this project:

“‘Miles To Empty‘ (2015) explores the car as a metaphor for the complexities of American life in general, and for my own experiences as a native of the city of Detroit specifically.” … and an extract from the exhibition text … “In ‘Miles to Empty’, Goff reflects on how our increasing reliance on adaptive technologies has diminished the routines of human industry, and is changing our aesthetic sensibilities. Dauntingly laborious, challenging in concept and ambitious in scope, this monumental sculpture embodies Goff’s immense energy and her love of making. Goff demonstrates a high level of skill and ingenuity, which used to be present in all manufacturing before the production line eradicated first the hand, then the whole individual. Each part of the car is uniquely made, and in making it, she has imagined the many hands that collectively fabricated the vehicles on the Lincoln company assembly line.”

Gold! … or metallic turquoise.





potluck … a group show

Mmmmm, yummy! From ceramics to collages, dumplings to beer… these are just a few of the pieces included in “Potluck”, a totally stacked group show opening at Hashimoto Gallery in San Francisco {804 Sutter St} this Saturday, June 29th from 6 to 9pm. I’ll give you one guess to figure out the theme:

“Inspired by community and connections created around food, this dynamic group show brings together artists working in ceramics, drawing, painting and beyond for a delicious exploration in our relationships with food.

Featuring 28 artists from the San Francisco Bay Area, nationally and internationally, [Potluck] includes a diverse range of experiences culturally, emotionally and conceptually. Drawing inspiration from the community created around gathering for a meal and the preparation of food, each artist brings unique memories and histories embedded in what we eat. Each piece offers the viewer a personal perspective of food, ranging from favorite dishes and places, intimate domestic scenes, celebratory occasions and nostalgic recollections.”

Featuring new works by: Laura Berger | Sarah Carolan | Jeffrey Cheung | Lauren Corden | Brian de Graft (1st shown above) | Amanda Dunham | Nicole Dyer | Dan Gluibizzi | Casey Gray | Liz Hernandez | Celia Jacobs | Sam Keller (3rd shown above)| Katie Kimmel | Ness Lee | Quentin Monge | Rebecca Ness | Kellie Orr | Hilda Palafox | Pedro Pedro | Petites Luxures | Joel Daniel Phillips | Stephanie H. Shih (4th shown above) | Jessica So Ren Tang | Lorien Stern (2nd shown above) | Anna Valdez (5th shown above) | Chelsea Wong | Joey Yu

ps. “Potluck”, curated by Dasha Matsuura, runs until July 20th, 2019.





anna barlow

Oh. My. Word. This ceramic sculpture – yes, I said CERAMIC – is titled “C’est ne pas de la tarte”, and is the latest work of UK based artist Anna Barlow. I wrote about her drippy ceramic ice cream cones five years ago, but as you can see, things have gotten a little more decadent. Here are Anna’s words about this bowl full of indulgent goodness:

“This piece was made especially for the Bernaudaud Foundation in Limoges for an exhibition called “Miam!” It was a chance to look at 19th century Limoges porcelain and consider the change in the culture of eating dessert.

I feel that confections today are a testament to how international food culture has become, with takaki cones, matcha flavours and Pocky sticks from Japan; bubble cones and super- size portions from USA; macaroons from France and the English cupcakes and roses.

I believe there is a macho, relaxed “more is more” trend in eating at the moment – very different from the elaborate, formal dining of the 19th century where only the well-off could partake. By filling a Limoges style bowl with a collection of contemporary confections, I hope to create a conversation between the past and present, cracks appear in the elaborate bowl from the weight of the dominating contents, which is, although tempting; large, chaotic and grotesque.”

Chaotic and grotesque, yes, but I’m not gonna lie… I kinda want to lick it. Also, follow her on Instagram, because THIS:

Ceramic fish tail waffle cones. Mic drop.





lynda draper

Colorful, whimsical, with twists and turns that make my heart race … yes, all of these pieces make me want to ride imaginary rollercoasters while eating fruity candy. This is the most recent work of Australian artist Lynda Draper. I wrote about her way back in 2010. Her ceramic pieces were fabulous then, but the way she has pushed her work in the past nine years is even more fabulous … and others agree. This past Friday, June 21st, Lynda was awarded the very prestigious Sidney Myer Fund Australian Ceramic Award, which “celebrates and promotes contemporary Australian artists working in the ceramic medium, with $50,000 in prize money.” Amazing! Here is a description of her work found on Gallerysmith {Melbourne}:

[Lynda Draper’s] work explores psychological scenarios often representing a journey within the dualities of life and death, reality and fantasy, past and present. She is interested in the relationship between the mind and material world and the related phenomenon of the metaphysical. Creating art is her way of attempting to bridge the gap between these worlds.

{Thanks to Kylie Gusset of @noticingceramics for letting me know about this exciting news! Congratulations, Lynda!}





diana weymar {tiny pricks project}

I don’t know whether to laugh or to cry. This is an ongoing project created by Canadian {US based} artist Diana Weymar, titled “Tiny Pricks”. It began in January 2018 when Diana embroidered the “stable genius” piece at the top of the post… and then it spread like wild fire! Diana continued to document the tweets and quotes that tend to spill out of Trump on a daily basis, but she also started “Tiny Pricks”, inviting people from around the world to harness their frustration through a creative outlet. Here is a snippet from Diana’s site:

“desperate times, creative measures : Like so many others, I am trying to process this presidency in a way that doesn’t involve withdrawing from following politics. This project is about witnessing, recording, taking notes in thread, and paying attention. Paying attention to his words.

This series holds a creative space in a tumultuous political climate. Tiny Pricks Project counterbalances the impermanence of Twitter and other social media, and Trump’s statements by using textiles that embody warmth, craft, permanence, civility, and a shared history. The daintiness and strength of each piece stands in a stark contrast to his presidency. You can make a tiny prick (please do).”

Sadly, there are an insane number of ridiculous quotes to choose from, but the silver lining… zillions of these embroidered statements are currently covering the walls – from floor to ceiling – at Lingua Franca in New York from now until September 3rd! “Desperate times, creative measures”, indeed.

{Pieces above by: (1, 2, 3) Diana Weymar, (4) Justine Twina, (5) Mary Loria, (6) Diana again, (7) Betsy Nix}




hrafnhildur arnardóttir

Wow. In one month from today I will be in Venice… and I just found my first stop at the biennale! This is the Icelandic Pavilion, and the magical work of Hrafnhildur Arnardóttir, aka Shoplifter. She has transformed a warehouse {Spazio Punch, on the island of Giudecca} into a soft, colorful, bizarre world titled “Chromo Sapiens”.

“Working with both synthetic and natural hair her sculptures, wall murals and site-specific installations explore themes of vanity, self-image, fashion, beauty and popular myth. For Shoplifter hair is the ultimate thread that grows from our body. Hair is an original, creative fiber, a way for people to distinguish themselves as individuals, and often an art form. Humor plays a large role in her life and work, sometimes subtly, but at other times taking over.”

I will go there, I will sit in there, I may not come out of there. {Yes, that’s Hrafnhildur in the shot above, and I’m planning on striking the same pose when I’m in there … how could I not!?} Happy Friday.

Images by Elisabet Davidsdottir




tasha kusama

First of all … a Monchichi!? Oh my word, so many 1980s childhood flashbacks. Okay, let’s talk about these beautifully bizarre portraits by Los Angeles based painter Tasha Kusama, shall we? That perfectly painted hair, those dreamy sky-scapes, not to mention titles like “sometimes ima baby, sometimes ima tiger”… GOLD! Tasha’s work is part of a group show at La Luz de Jesus Gallery in LA, titled CANNED HEAT, that opens on July 5th {8-11pm} and runs until July 28th, 2019.





dano wall

Art that directly responds to issues … yes, yes, a thousand times, YES. After being enraged that the plan to put Harriet Tubman – a hero of the underground railroad – on the American $20 bill was basically ditched by the current administration, Dano Wall took it upon himself to give Harriet her place on that bill. A stamp! Now, I know what you’re thinking… can you deface {pun totally intended} currency? Well, “Though anti-counterfeiting laws prohibit the willful destruction of, and stamping of advertisements upon, paper money, pursuant to I.I.18 U.S.C. § 333 of the United States Code, stamped currency is fit for circulation so long as its denomination remains legible.” Boom! Here is Dano’s statement about this project:

“On April 20, 2016, then-U.S. Treasury Secretary Jack Lew announced plans to add Tubman to the front of the twenty-dollar bill, moving President Andrew Jackson to the rear of the bill. Lew instructed the Bureau of Engraving and Printing to expedite the redesign process, and the new bill was expected 

I was equal parts saddened and enraged when I learned that the Trump administration had officially scuttled the plan to put Harriet Tubman on the $20. The ubiquity of currency makes it a powerful vector through which the mentality of white supremacy can continue to permeate our culture. This is why it was such a pivotal moment when it was announced that Harriet Tubman would appear on the new $20 bill. This would constitute a monumental symbolic change, disrupting the pattern of white men who appear on our money, and by putting her on the most popular note in circulation, indicate exactly what kind of a life we choose to hold up; what values we most hope to emulate.

The impact that seeing the face of Harriet Tubman staring back at you from a $20 bill cannot be underestimated. Who we choose to honor as a society affects the moral attitudes that are baked into us as we grow up, and this sort of representation can subtly but deeply effect someone’s conception of themselves and their place within society. This is not a trivial issue to be forgotten, it remains profoundly significant, and worthy of continually pushing back into the spotlight.

I would like to see Tubman $20s entering circulation is sufficient numbers to make it impossible to avoid the conversation about the proposed, now abandoned, plan to put Harriet Tubman on the $20, and hopefully, ultimately, exert pressure on those with the power to make that change.” 

Inspiring, clever, and oh so proactive. The stamp can be found through Dano’s online shop, “Tubman Stamp” – however, it’s pretty much out of stock constantly! Keep checking though, because he restocks the site weekly.





andrea torres balaguer

Are these paintings or photographs? Yep. “The Unknown” is a surreal, ongoing series by Barcelona based photographer Andrea Torres Balaguer. Given that I’m a huge fan of juicy brushstrokes, polkadots, and mysterious portraits of women … well, this is perfection. Here is part of her translated artist statement:

“My work is made about dreams, surrealism, mystery and the idea of break-up story. I’m interested in every image that tells something, that lets you the possibility of imagine, that generates stories and opinions.”

Happy Monday.





lia tajcnar

How do you make crazy, whimsical, totally unique sculptures even more beautiful? Stick flowers in ’em! Yes, all of these organic-inspired artworks actually double as flower vases. What? Yep. This is the fun and fabulous work of Australian artist Lia Tajcnar, aka Curiosity Smith. That’s Lia above, surrounded by the gorgeous ceramic jungle she’s creating piece by piece. Happy Friday.






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