jennifer l. mohr

Annnnnnd, exhale. Maybe it’s because my backyard is covered in snow at the moment, but I can almost smell these these candy-colored grasses as they sway gently in the warm summer air. Ahhhh, maybe one more deep cleansing breath for good measure. These are a few of the most recent paintings {acrylic on canvas} by Canadian artist Jennifer L. Mohr and, as you can probably tell, I love all of them! The scale, the palettes, the quiet landscape that begs us to slow down:

“I was grown from the prairie and everything in my creative practice leads back to those roots.  As a child, growing up on a grain farm in the vast grasslands of Saskatchewan, I spent much of my time wandering outside alone, quiet, observant, and introspective.  Those formative moments fueled in me a deep identity-connection with the landscape and everything within it.  During those years, I also formed a proud identity as an artist, influenced by the somewhat unconventional cultural experiences provided to me by my family, which allowed me to feel unique in our conservative rural community.  The concept of place-identity first began to influence my artwork as early as my fledgling oil painting practice at the age of 8.

In my current creative pursuits, I continue to be drawn to the subject of the prairie and my relationship to that landscape.  My feelings of belonging and oneness with the prairie environment are reflected back to me in the artistic process.  In my artwork, I translate my observations of the landscape into inventive color, reactive mark-making, and expressive energy in an attempt to portray the magic of reciprocity between my identity, the landscape, and my art.” 

Sigh. Happy Monday.

ps. Follow Jen on Instagram to see all of her gorgeous #WIPs and inspiration photos, and you can buy her originals here, and her prints here.

“create your own magic”

That stunning work is titled “Rest In Peace”. It is a life-sized, Baroque-inspired gown… made of PAPER. I know. It’s too much to wrap your head around, which exactly why I knew I had to have it’s creator on the podcast. Haitian born, New York based artist Fabiola Jean-Louis answered alllllll of my questions on today’s episode. So. Many. Questions. In between explaining the ‘how’ and ‘why’ behind her exquisite work, I also found out that she graduated from the same high school as Basquiat, was almost a doctor, and is a mother of five. Yep. You can listen right up there under “Rest in Peace”, or subscribe on Apple Podcasts and/or Spotify {and, you know, feel free to leave a lovely review while you’re there!}

First, since I don’t have images from her pre-med days, I’ll go as far back as her Polaroids… which by the way are MAGIC:

Self. Taught. Polaroids {and Photoshop} were how she got her instant gratification, but somewhere along the way her photographs got, well, much less instant! Here are just some of the pieces from “Rewriting History”. Brace yourself, because the level of detail is insane:

Gasp! Paper dresses, dollhouses, props and  yes, those lovely paper shoes! The final composition above is “Marie Antoinette is Dead”, the piece Fabiola talked about regarding the first pair of paper shoes she ever made… see them poking out from under that gorgeous blue paper dress? So much work for the tiniest little glimpse {that’s why I’ve included them on their own as well… they need their moment in the spotlight!}

Alright, and here are the paper gowns from “Rewriting History” when they’re displayed on their own:

I mean, come on. STUN. NING.

Ooh, and some of her latest work… the altar/shrine!

Look at that detail! When her father said “the magic is in the details”, Fabiola was obviously really listening.

And finally, a photo of this artist / rewriter of history / mother of five… plus, a quick “day in the life” video she posted not too long ago:

Sigh. So beautiful. All of it. Also, I want to squeeze her ridiculously cute baby! Thank you so much to Fabiola for taking time out of her busy life to be on the podcast, and thank YOU for listening. Stay tuned on info about the podcast network I’m joining {with Andy J. Pizza}, and for details about joining my new club: “The NO SUCH THING AS TOO MUCH ART Society”… it’s gonna be good! ~ Danielle xo

Other links:

  1. Fabiola on Instagram
  2. High School of Fashion Industries
  3. Isabella Gardner Museum, Boston
  4. “Black Art : In the Absence of Light” {we talked about this new documentary after we stopped recording, but we both love it and think you should go watch it! It’s on HBOMax}


kevin foote

Quiet, soft and a little bit sad, no?. This is the ethereal work of Wisconsin based painter Kevin Foote. I saw that lovely fawn about to have a nap {48″ x 32″ mixed media on canvas} scroll by in my feed, and that was that… I was down the rabbit hole. Those palettes, the emotion in all of his subjects, and – of course – that crow. Love. Happy Friday.

Kevin is represented by Arcadia Contemporary, NYC, and they have a virtual show OPENING TOMORROW! You can also follow him on Instagram: @bitter_buff_alo

agnes hansella

I don’t know which noise to make first!? *Sigh* because of how beautiful and magical Bali is, or *Gasp!* over this insane installation! This is the jaw-dropping work of Jakarta based artist Agnes Hansella aka @macrame_id. Giant macrame made with thick rope, twisted and tied to reveal the “Sunset”, “Mountain” and “Ocean”. Each large-scale piece was on the corresponding side of the building, beautifully reflecting the area surrounding Locca Beach House Bali. Here are Agnes’ words about the project:

The project involves 8 people including me, to knot a 16mm manila rope to the roof construction.
We finished 3 enormous pieces during 12 days of work. With the height from bottom to top measures 766cm, this enormous piece is fun and challenging for me to work with. With macrame, sometimes we can’t plan the whole thing in one go. The ropes have their own nature and we are the ones to follow. The design keeps evolving every time a knot was made. {Thankfully, I made it in time to finish all three just before the coronavirus outbreak in Indonesia.} This project is commissioned by Flowerbloom Studio.”

See? Sigh and Gasp are both required. Oh great, and now I want to go back to Bali. Someday.

{via Colossal}

benny dröscher

Sigh. I want to lie under these magical trees, looking up at birds and feathers and flowers and, well, whatever else might be floating by… mushrooms, shells, scribbles of color. This is the work of Copenhagen based artist Benny Dröscher. He has worked in all sorts of mediums from 3D to 2D. I’m pretty sure these are acrylic paintings… or lithographs? Or some kind of fabulous combo? Here’s the thing, it doesn’t really matter because I’m madly in love with them either way.

ps. Last week I wrote about Swiss artist Mathilde Tinturier’s lovely  mobiles, and someone said ‘they look like a Benny Dröscher painting.’ That person was right!

andrea alonge

The exploration of “movement through space and time using textiles as a drawing tool, creating labor-intensive meditative works that recall natural wonders, landscape, and psychedelic visions, exploring relationships, touch, intimacy, and tactility.” Yes, please! This is the colorful, meticulous, I-wanna-touch-it work of American artist Andrea Alonge. Her recent artist statement is a beautiful look at where most of us are at this very moment:

“Our lives are colored with human interactions and relationships. We build lines of intimacy with each other and our environments. We hope to see ourselves reflected, catch a glimpse of a familiarity that spurs us to bridge the distance between us. In a time of digital interactions and a need for physical distance, our concept of distance becomes heightened yet blurry – we see and interact with each other and our environments through a screen. Sharing a physical space is something we all crave, yet out of necessity we are forced to translate the experience of the physical into the digital. We are finding our way through the unknown, the compulsion to touch, the need to meet even if in a truncated form, and the balance between isolation and socialization. We are more aware of the physical presence of others, the distance between us, and the subtle ways we have to communicate care for others because of the danger of getting too physically close. Our environments and nature have become solace, we can still touch the trees and the sand and the water. Our bodies are grounded in different relational indicators, and our intimacy now takes a different form. If we’re lucky, we still have someone we can touch and receive the chemical and tactile stimuli so necessary for our sense of well-being. A thought that comforts me is the idea of our connections to everything through our chemical makeup – we are made up of the water, and the same elements as the stars and the trees, and the air that we breathe, and our universal consciousness. We are all touching. We will touch forever.” 

Sigh. I needed to hear that.

denis savary

Giant, ‘not-quite-right’ dollhouses? I can’t think of more perfect way to kick off a Monday morning! This is the work of Geneva based artist Denis Savary, and these images are from his current show, titled “Ithica”, at Galerie Maria Bernheim in Zurich. Here is the gallery’s description:

The name of the exhibition Ithaca refers to the American city home to the famous and liberal Cornell University, one of the main areas of development of the American film industry, which owes its name to the dreamed homeland of Odysseus. 

Three disproportionately large dollhouses are displayed on antique rugs, based on models of very common houses, a typical Swiss Villa. They seem pushed to the limit of their stability, revealing the weakness and the narrowness of their original suburbs, like those cut out by Gordon Matta Clark. Their intentional blandness lets through glimpses of strange interior scenes, forcing the viewer to approach them cautiously. Their dimensions, the meticulousness of their structures and the effects of distortion open them to our interpretation; simultaneously art historical and literary references come through, a room is plastered with a wallpaper based on Marcel Duchamp, who painted a reduced version of the “Nude descending a staircase” for the dollhouse of one of his collectors. One thinks of Robert Gober, whom Denis Savary had already evoked a few years ago, when he appropriated the gallery owner’s doll house, realizing a full exhibition as an extension of this work in a space whose architecture echoed it (La Villa, villa Bernasconi 2010), publishing as the only exhibition catalog views of the interior of this dollhouse. These new sculptures also recall early videos by Savary that seemed to be shot from the window of his family home, located on the outskirts of a small town with no specific quality.

“Ithica” runs until February 27th, 2021.

“bending spoons (and medieval laws)”

Well, this is the first time I’ve ever had someone on the podcast who’s done a commission for THE QUEEN!? Yep, London based artist Ann Carrington is on the podcast! I interviewed her for my book, “A BIG IMPORTANT ART BOOK – Now With Women”, a few years ago but it was all through email. Today I finally got to talk to her in person about turning knives into flowers, welding giant spiderwebs, and oh yeah, that time she hung out with Prince Charles on a barge to discuss a project for his mum’s Diamond Jubilee. WHAT!? Deep breath. Listen right up there under Ann in her studio, or subscribe on Apple Podcasts and or Spotify.

First up, cutlery bouquets:


View this post on Instagram


A post shared by ANN CARRINGTON (@anncarringtonart)

Yeah, she “has a cutlery guy”. So amazing. Oh, and more amazing-ness that I totally forgot to mention, but I have to show you. Look what Ann does with beer & soda cans:

I mean, come on. The final piece is titled “Virgin Queen”, which I’m using as a royal segue into these “Pearly Queens”:


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A post shared by ANN CARRINGTON (@anncarringtonart)

Okay, there’s a lot to say about all of that! First, the black and white photo at the very top is a shot of a few “Pearly Kings and Queens”. The next image was the first of Ann’s Queens I ever saw, via The Novogratz! The “in situ” photo is from one of their shows … or books … or some fabulous project they did {it’s hard to keep up with them!}. The video at the bottom is only a few days old and gives a peek at the new punk-ish Queens she’s been working on. Now, the colored button Queen, both up close and in situ, is the commission Ann did for Jacob Rothschild. That was the project that led to this:

Whaaaaaat?! Yep. Hanging out with Charlie on a barge, as you do. This is the banner Ann was asked to create to celebrate Queen Elizabeth’s Diamond Jubilee {2012}, and now hangs at the Haberdasher’s Hall in London. Oh my word. Okay, I need a deep, fresh cleansing breath of sea air to help me deal with all of that excitement… how about a trip to Margate to see Ann’s “Shell Ladies”:

Oh my goodness, aren’t they all so lovely? And I looooove that her kids’ names are on the inside of those bronze shells of “Mrs.Booth” {which aren’t turning green by the way… they’re Verdigris darling, Verdigris.}

Up next, spiderwebs:

… and there she is, welding a GIANT one for a very special client. Herself. Yep, that’s the big web that will be suspended above the studio. Ah, another perfect segue! Let’s finish up with a look into Ann’s amazing building in Margate:


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A post shared by ANN CARRINGTON (@anncarringtonart)

Do you see why I invited myself over?! A stunning space filled with shipping containers packed with sparkly treasures. LOVE. Okay, and with that I will say thank you to Ann for being my guest today, and of course, thanks to you for listening. If you’d like to give me a little love over on Apple Podcasts, I’d be very grateful! Thank you xo ~ Danielle

Other links:

  1. Ann on Instagram
  2. Royal College of Art
  3. The Novogratz on Instagram
  4. Robert Novogratz on the podcast, episode no.11
  5. “A BIG IMPORTANT ART BOOK – Now With Women”
  6. Amber Cowan on the podcast, episode no.115
  7. Turner Contemporary, Margate
  8. Tracey Emin, Artist
  9. YBAs
  10. Alexander McQueen, Fashion Designer


liya jacobi


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A post shared by LIYA JACOBI (@jacobiliya)

Whaaaaat?! Oh my word, I want to push those big buttons and make tiny people float around in water! This is “Waterful : Wonder Rooms”, just one in a series of wonderful waterful-ness, by Tel Aviv based artist Liya Jacobi. Here’s her bio… which makes me wish I went to school to become a TOY MAKER!

Liya Jacobi is a Tel Aviv based artist, toy designer and a special needs advocate with experience in child therapy and graphic design. Jacobi combines traditional craftsmanship with modern intention, creating unique objects while unexpectedly merging form and function. By playing with preconceptions about art and design – the social, cultural and historical relations to objects we all share – she provides a new context. Presenting alternatives to contemporary appliances, she adds unforeseen functionality and a delicate execution to her work. Liya studied Visual Communication at Instituto Europeo di Design in Milan, Italy and Toy Design at Shenker College of Engineering and Design in Tel-Aviv, Israel.

I love everything about this. Happy Friday.

{thanks to @melaart for sharing this work with me!}

betty tompkins

“Women Words” by American artist Betty Tompkins. There are decades of history behind this work, but these are some of the latest iterations of a series that now includes thousands of paintings, and mixed media pieces. These ones, ripped from the pages of art history books*, are the most recent {2017-2020}. I found so many interesting interviews with Betty, that instead of retelling the story, I just pulled my favorite bits from several places:

In 2002 and 2013, Tompkins circulated the following email: “I am considering doing another series of pieces using images of women comprised of words. I would appreciate your help in developing the vocabulary. Please send me a list of words that describe women. They can be affectionate (honey), pejorative (bitch), slang, descriptive, etc. The words don’t have to be in English but I need as accurate a translation as possible. Many, many thanks, Betty Tompkins.” Over 3,500 words and phrases were submitted in seven languages, equally split between men and women. – Gavlak Gallery

Tompkins had bought more than *60 art history textbooks and was tearing out pages, unapologetically defacing some of the world’s best-known paintings and using female figures as canvases for unused suggestions for “Women Words.” “I come from a family where you couldn’t even crack the spine of a book, let alone tear out a page,” she recalled, admitting that “it was a lot of fun!” – Artnet Interview

ELLE: A lot of anger, violence and frustration towards women comes out through this process of audience participation. How do you deal with that?

BT: I have a really good sense of humour, and I think it’s saving my life – and my blood pressure! There was one guy who had written ‘the only thing that would make her more beautiful would be my dick in her mouth’ and I thought, who is this guy? You have to laugh. Someone else had written ‘heck, most people don’t like women’ and I thought ‘okay, let’s think about this one!’ – Elle Magazine Interview


Kick-ass women are my favorite.