Smoking baby doll. Yep, crazy. This was such a fun episode, but it wasn’t the normal format. I had my questions ready for Canadian ceramics artist Susannah Montague, but she had a list for me too! Why the shake-up? Well, I was not in my pillow fort studio for this one… we were LIVE at Club Kwench in Victoria, BC {photos below}. So, we talked about everything – from her movie-prop-making days to her beautiful twins who were the wonderful miracle of IVF… hence the baby dolls and blastocyst bubbles! Listen right up there under that “sweet” baby, or you can subscribe on iTunes.

First, those beautiful baby bubbles I was just mentioning:

Stunning. Susannah’s level of detail blows my mind. Flowers, skulls, and … belugas:

I was so happy to finally have a chance to ask her what all of these tiny tidbits are about, and of course, I should have known the answer. Susannah is inspired by the Dutch Vanitas … beauty through decay and the inevitability of death… so enjoy the now!

Speaking of death, how about a couple of beautiful porcelain ghosts connected by their life-breath, as if to say “we are all one, we are all connected”:

See? This is why I said “crazy” so many times! CRAZY. Look at that bunnicorn on the left!

And of course, I have to show the process for these ghostly beauties. FYI, people who cast their children in the name of art, well, you know they mean business:

Love, love, love! Don’t you want to spend a day in her gorgeous Bowen Island studio? Be careful though… she might cast you!

Ok, and then it was my turn. The first question Susannah asked me was about my new book… and yes, I could talk about it FOREVER:

A BIG IMPORTANT ART BOOK… Now with Women! Seriously, I could not be more proud of this project. I hope there are many more volumes to come! {It will be on shelves on Oct 2, but you can preorder it now if you wanna.} So, those last two photos above are my “book nook”, both the interior and exterior view : )

Next, just a few of my mixed media collages:

The top-most image was the first piece I ever did in this series {that I started just over two years ago}, and the final piece is the one that Susannah owns! It is titled, “BARB AND CANDICE WERE LIKE TOTALLY NAILING THIS WHOLE LIFE / BALANCE THING.”

And here we are – recording live – at the sun-filled, dreamy, creative space that is Club Kwench:

HA! That’s me, Susannah, and Tessa {the dynamo behind Kwench}, chugging a little Creative Juice XXX! Can you believe Susannah made those for us a few days before the event!? I didn’t make anything for anyone. Oh, and I had to include a shot of the lovely little Liz-inspired bud vase that she made for me last year. Isn’t it gorgeous? Now I have two pieces by Susannah, so I guess that means I owe her one of mine! Thank you so much to Susannah, her super sweet twins, Tessa at Club Kwench, our fabulous audio guys Andrew Lloyd and Nick Francis, and the lovely live audience. Without that giant list of people, this sunny Sunday event wouldn’t have happened. AND, this podcast wouldn’t happen without the support of Saatchi Art, Thrive Mastermind, and YOU. There will be more art for your ear next weekend.

Other links:

1. Emily Carr University of Art & Design
2. Thrive Mastermind
3. Club Kwench, Victoria 
4. Sound by: Andrew Lloyd and Nick Francis
5. Seymour Gallery, Vancouver {her show is up until Apr 14}
6. Susannah on Instagram
7. Madrona Gallery, Victoria
8. Amanda Smith, episode no.6
9. Wayne White, episode no. 30
10. Tina Berning, episode no.68
11. My art site / My art Instagram feed
12. Running Press {preorder the book today!}

Oh my goodness, how gorgeous is that? The first time I wrote about Swedish artist/illustrator Stina Persson was way back in 2010. That’s insane. So, here we are eight years later speaking to each other for the very first time… and I asked her everything! I found out that she studied fashion in Italy, then illustration at Pratt in New York, and eventually found her way back to Sweden to become a successful illustrator/artist {and mother of three sons}. I also asked her if Swedish people actually shop at IKEA. They do. Listen right up there under that beautiful ink ‘n cut paper piece, or you can subscribe on iTunes.

Let’s start with a few inky, washy, fashiony pieces that pop to mind when I think of “Stina Persson”:

Ooh la la… rich vintage glam! Now, you know how I feel about collage, right? Well look at these cut paper pieces that blend Stina’s inky strokes with colorful bits of paper:

Stunning, and an excellent segue into some of Stina’s very high profile commercial illustration work:

And that is just the tip of a huge illustration iceberg!

Now, not only does Stina make spilled nail polish look delicious, look what she does with lettering {ps. beware of killer kittens}:

Gorgeous (and note the beautifully buckled paper). Well, let’s up the ante, shall we? These videos of Stina in action, found on her Instagram feed, are absolutely mesmerizing… and a little Beyonce quote never hurt either:

A post shared by Stina Persson (@stina_persson_illustration) on Dec 8, 2017 at 11:05am PST

A post shared by Stina Persson (@stina_persson_illustration) on Mar 9, 2018 at 7:00am PST

Seriously, I could watch those on repeat all day loooooooong. But I won’t, because now it’s time to show you this gem:

Dreamy and, oh, so beautifully bizarre. This is a promotional video Stina worked on for a single, titled “Left For Dead”, by  RABBII.

And finally, Stina herself:

Ah, I always love seeing the artist doing what they do. Thank you so much to Stina for taking the time to do this with me; thanks to Saatchi Art for supporting the episode; and big high fives to YOU for listening. There will be more Art For Your Ear next weekend.

Other links:

1. Stina on Instagram
2. Stina’s Online Shop
3. Stina’s Illustration Agents {UK, NYC, Japan, Sweden, Australia/NZ}
4. Pratt Institute, NY
5. Hey, fancy white-walled galleries… call her to put on a big, beautiful show! 

That’s Helen. She is the inspiration behind a huge, most likely lifelong, painting series, and a beautiful film by American painter Robert Townsend {or Bobby, or Rob}. The film is titled, “My Indiana Muse”... perfect, as Helen basically screams MUSE. I loved every second of this hour and half long episode… Rob’s paintings {yes, paintings} are insane. He is a self-taught, funny, modest, artistic genius as far as I can tell. Also, he loves donuts, so clearly we’re going to be friends.

First up, his watercolors from a few years ago. WATER. COLORS. I mean, I don’t even know:

What the?! Ok, that’s insane. And on that note, the first painting in the “Helen” series, back when Robert had named her “Kay”:

This was the piece he had titled “Kay and Patty”, before he found the slide with Helen wearing a name tag!

And, here are Helen and Roy on one of their many road trips, in matching outfits no less:

Hooray for pink pants! Looking good, Roy. ps. these are actually Rob’s paintings, NOT the original photographs. Crazy, right?

Now, for some people, painting the images would be enough. Rob is not one of those people. The film begins with him heading out onto the road to track down some of Helen’s fabulous mid-century destinations:

Note the orange/mud layer he uses for underpainting his large-scale oil paintings … it certainly does lend a warmth to Helen and her crew. Speaking of warmth… HAWAII! This is the painting Rob was working on throughout “My Indiana Muse”:

Note Roy’s Hawaiian shirt above. That took Robert six days to paint. SIX. DAYS.

I really do think Helen and Rob are kindred spirits, even though they never met. They certainly both love road trips:

How cool is that! He went where Helen went … ♥   I wish they could’ve gone on a trip together. I have a feeling they would have stopped here to buy a postcard and a slice of “World Famous Cheesecake”:

I double-checked with Robert, and this is actually an oil painting, not a watercolor – thank goodness because that would’ve broken my brain.

And finally, a peek at the trailer {and one of the posters} for this lovely ode to a mystery woman … who is now more like family:

Beautiful. If you can see this film at one of the many film festivals it’s part of, please do… it’s just so lovely. Gigantic thanks to Rob for taking so much time to answer all of my questions; thanks to Saatchi Art for supporting the episode; and thank YOU for listening. There will be more Art For Your Ear next weekend.

Other links:

1. “My Indiana Muse”
2. Film Festival Schedule: Up next Beverly Hills, Phoenix, Palm Springs, Florida, New York…
3. Film Makers: Ric & Jen Serena
4. Original Score by Paul Bessenbacher & Matt Bowen
5. Rob’s show in April at Altamira Fine Art, Scottsdale AZ

The title of this episode sort of says it all. Following what excites you / what makes you happy, will create work that excites you / makes you happy… and for Los Angeles based artist Michelle Kingdom, that happens to be telling stories with thread. I already admired her work so much, but finding out that she’s not only a well-known contemporary artist whose work is shown in galleries all over the world, Michelle is ALSO a full-time preschool teacher and the mother of a teenage daughter?! Well, the admiration went through the roof! When does she sleep? Apparently, she doesn’t. Listen right up there under “Life Will Divide Us”, or you can subscribe on iTunes.

First, just a whole bunch of Michelle’s work that I love… plus closeups, because who doesn’t wanna see closeups!?:

Yep. Those stitches, the stories, all of the stuff. Love.

Next up, this is the benefit of following Michelle on Instagram… you get to see everything that goes into each meticulous piece:

Seriously, I don’t know how she has the patience to do this kind of work… but I’m really happy she does!

You know who else is happy? Pillow Talk, the band that used “What Is Done Cannot Be Undone” for the cover of their latest album:

So. Cool.

Also cool {and admittedly a personal dream of mine}, a full feature in Hi-Fructose Magazine:

Gah! Ridiculously cool.

Now, I think this is so important to show, and so great that Michelle has these pieces on her website. These are some of her older works – the pieces she mentioned that were stitched onto little bits of silk and other random fabric {and shown to no one for years}:

Oh, so fascinating to see where she began her artistic journey, and my goodness, how far she’s come!

And finally, I obviously had to include the red Mary-Janes, and maybe just a couple of photos of Michelle in action too:

Love love love. Gigantic thanks to Michelle for taking time away from her insanely busy life to talk to me; thanks to Saatchi Art for supporting yet another episode {FYI: Saatchi’s hosting “The Other Art Fair” in LA this weekend so check it out if you’re in town}; and big old thanks to you for listening. There will be more Art For Your Ear next Saturday.

ps. Also, a super huge gigantic THANK YOU to my amazing husband/producer, Greg, who edited this podcast from a hotel room in Toronto so there’d be an episode this weekend! xoxo

Other links:

1. Michelle’s show in New York at Foley Gallery, April 4 – May 13
2. Michelle on Instagram

So, today’s episode is kind of insane. Unless you’ve been living under a rock, I’m sure you’ve seen the recently revealed official portrait of Michelle Obama. I honestly can’t believe she made time to talk to me, but yes, Baltimore based painter Amy Sherald is my guest today. We definitely talked about the piece of American history she just finished painting {no pressure}, but I also wanted to know everything that led up to this exciting moment in her life. Amy and I are talking about her original plan to become a doctor, the years she worked as a bouncer at a bar, and how she found the path to her own very unique style. Listen right up there under “LIGHT IS EASY TO LOVE”, or you can subscribe on iTunes.

First, a few of the costumes we were talking about. Let’s start off with the unicorn equestrian that I obviously had to bring up:

The queen is fantastic! And, I think that last one is a costume. I hope.

Next, just people being people… in a stunning, engaging, brightly colored, Amy Sherald kind of way:

Seriously, she is so good. That final piece above is the ten-year-old we mentioned, Amy’s youngest subject so far.

Oooh, and this is “Miss.Everything”… and she really is:

This is the painting that made Amy the first woman to be awarded the Outwin Boochever Portrait Competition grand prize. That close-up! Her skin is gorgeous. It’s so soft-looking, I can hardly believe it’s paint.

Speaking of soft skin {according to Amy’s sister}, here is the official portrait of FLOTUS, Michelle Obama:

Sigh. Ok, I already loved this painting so much, but hearing the behind-the-scenes story directly from Amy made me love it even more. The reference to quilts {Gee’s Bend}, Michelle’s elegant pose, and again, that lovely grey-scale skin… beautiful. All of that work – the selection process, choosing wardrobe, taking photographs, going back for more photographs, and then, oh yes, painting a portrait to be hung in the National Portrait Gallery at the Smithsonian as part of American history – definitely worth some celebrating:

And, clearly, I’m not the only one who’s in awe of Amy’s work. A two-year-old named Parker is mesmerized as well. She thinks this is a painting of a queen. Rightly so.

Finally, I can’t finish the post without this:

Awwww! I’d warm up his food too. Thanks so much to Amy for taking time out of her insanely busy life to talk to me {enjoy those margaritas, Amy!}; thanks to Saatchi Art and Create Magazine for supporting the episode; and thank you for listening. There will be more art for your ear next weekend.

Other links:

1. Amy on Instagram
2. Contemporary Art Museum, St. Louis {Amy’s show in May}
3. Hauser & Wirth, New York {2019 show}
4. The soon to be historic photo of Parker & the Portrait, snapped by Ben Hines

Oooh, look at that tiny snippet of goodness! Layers of paper, images, and whatever else this curious artist can get her hands on. Today I’m talking to Canadian artist Aimée Henny Brown. And the reason for the title of this episode, “Foxes ‘n’ Hedgehogs” is truly a perfect description of how Aimée’s brain works … curious like a fox, but she digs deep like a hedgehog! We started this episode with a personal help session that I’d requested. Aimée knows EVERYTHING about paper and, luckily, is happy to share her knowledge. I want to go bigger with my collages, so she told me how. Listen right up there under that insanely gorgeous peek at a #WIP from her Instagram feed, or you can subscribe on iTunes.

First, go big or go home.

Gah! Look at that amazing, gigantic collage! That’s the Tyvek she was talking about, and yes, I am so going to try that. Look out hardware store, here I come!

Next up, houses in the negative. This is what she’s experimenting with while in Montreal, and I absolutely love them:

There really is something so beautiful about the other side of the paper after you’ve made a few cuts – lots of happy surprises over there! So, as you can see, Aimée has a fascination with structures, architecture, shelters etc… case in point, a few pieces from a 2016 titled “Futur Infinitif” :

Oh my word. Stunning. Last year Aimée and I were in a group show together, along with Vancouver’s Janice Wu, at Back Gallery Project. These were some of Aimée’s pieces:

There they are on the right, and again, look how big they are! I included that close-up above as well so you could see that, yes, there are houses nestled into almost everything she does! LOVE.

Oooh, and these are the installation shots of the work Aimée did while on that YEAR LONG residency in Harrison:

Right? Seriously, she can make anything. Look at those cuts? I love that she isn’t afraid to experiment with materials… which of course is why I ask her for advice whenever I can!

Speaking of cuts, here are those perfectly perfect bangs we were talking about:

Gorgeous! The topmost shot is a recent photo, but given all of our talk about foxes, hedgehogs and possums, I thought it only fair to include this 2016 image of Aimée and her forest friend! Thanks to Aimée for taking a break in her precious studio time to hang out with me for an hour and a half; thanks to Saatchi Art and Thrive for supporting the episode, and thanks to you for listening! There will be more art for your ear next weekend.

ps. I just found out tonight that Thrive is currently accepting new members for their May intake. Their groups fill up, so if you’re interested make sure to pop over there soon.

Other links:

1. Thrive Mastermind
2. Tyvek
3. Terraskin
4. NASCAD, Halifax
5. University of Alberta, Edmonton
6. Condordia University, Montreal
7. Banff Centre Programs, Banff 
8. Amy on Instagram
9. Maudie {movie that will make you cry}
10. SOMA Gallery, Vancouver {June show}
11. ACT Gallery, Maple Ridge
12. Pendulum Gallery, Vancouver {Fall show}

Well, that painting basically covers everything I had on my list of questions for British artist Pippa Young. Flat bonnet-ish hats, thin red lines {which are paint, not thread btw}, weird plastic-looking stuff wrapping her subjects – what’s it all about, because I need to know! Thankfully, she told me. We talked about being free to do whatever we like, late starts, and how I can get myself to Cornwall because, clearly, it’s a creative wonderland filled with amazing artists! Have a listen right under “Self-Doubt” – how perfect is that? – or you can subscribe on iTunes.

First, some of the paintings I wrote about years ago when I first stumbled upon Pippa’s lovely/weird work:

After doing this interview, I’m pretty sure that’s Pippa’s son in, at least, the last painting above. These works also give you a little peek into the “hats” / “bonnets” I brought up right off the top. Next on my list of “what’s this about?”… tiny, delicate, beautifully painted red lines:

Gasp! Pippa told me she doesn’t do those lines freehand, she “uses masking tape”. Oh okay, super easy then. WHAT?! So precisely perfect! She explained that these tethering red lines were inspired by “The Goldfinch” – a book written by Donna Tartt, inspired by a 1654 painting by Dutch artist Carel Fabritius … now that’s a lot of inspiration. Pippa’s final painting above is, in fact, titled “Goldfinch I”. FYI… this is the cover of the book, and the painting:

Lovely. Next on my list of questions… the plastic trash bags?

Yep, there’s that plastic bag “baby” we were talking about. Her work is so gorgeous … the combination of the detailed plastic texture, with the flat hats and dresses on the girls? LOVE. It is so obvious {now} that Pippa was a graphic designer for such a long time … beautiful compositions, photographic qualities combined with flat graphic elements, and oh, that negative space. It’s all just too good.

And, ah yes, her “interventions”. I already loved them to begin with, and then to find out that these are not found images, but actually members of Pippa’s family, well, that pushed me over the edge:

Ghostly, beautiful, kinda weird… fantastic! And finally, Pippa in her studio:

Gorgeous! Quite handy to have a talented photographer brother to take cool in-studio shots, no? Thank you so much to Pippa for taking time out of her recharging break to talk to me; thanks to Saatchi Art and Create! Magazine for supporting the episode; and thank you for listening. There will be more art for your ear next weekend.

Other links:

1. Charlotte Keates, Episode No.107
2. Lisa Wright, Episode No.122
3. Arusha Gallery, Edinburgh
4. Michaël Borremans, Belgian artist
5. Pippa on Instagram
6. Create! Magazine – Call for Art (due Feb 28)

Oh, yes! Greece-born, California-based artist Eugenia Loli is on the podcast! I have adored her work for so long and now that I know her story, I’m even more impressed. She went to school for computer science and worked in tech, specializing in backend databases, for years… ah, just like so many other artists… or not. She is completely self-taught and didn’t even start making art until 2011. WHAT!? I had no idea. I also had no idea what led to this major life change, although I had read here and there that an illness was involved. Well, Eugenia and I are covering that and so much more. Have a listen right under “Rising Mountain”, or you can subscribe on iTunes.

First, a few of Eugenia’s collages that I’m sure you’ll recognize:

Yes, yes, yes I love them all. And ok, I’ve written about all of them too. One of the things Eugenia often features in her collages … outer space. I loved her explanation for why and so, of course, I’ve included a few of my favorites here:

That mouth. LOVE.

Now, Eugenia mentioned this piece a couple of times. It’s an important one if you want to understand this artist. “Three Minutes to Nirvana”:

And as she mentioned, she has an in-depth description of this piece so that you can understand where she’s coming from in one fell swoop:

“The structure represents all that we can comprehend while in our human form. It’s also what keeps us within boundaries, limiting our existence, experience and understanding. 

The bottom level is about developing, learning, and trying out various routes. In the process, and among progress, there’s also war and misery (as evident by the fire in the background). The cube in the field is the teaser of the ultimate prize, placed in by the people on the top level (the “Ascended”).

The second level is about expanding our horizons further, making the leap towards an enlightened state. Notice the woman in black, ready to make the leap. The man in the staircase, calls her, trying to keep her back, but it’s too late. She has superseded him. She is intrigued by the possibilities. The man also signifies the various forces that will try to keep humanity back on its journey. Notice that the observable universe is also within the boundaries of the structure.

Two humans are attempting to reach the third level. One is climbing the old fashioned way, and the other one is using (transhuman) technology to get there — both choices are acceptable. At the end of their journey, they won’t be “humans” anymore anyway.
Notice the trophy award in the middle of the third level, right below the angels painting. These two people think that this is the ultimate prize. But that’s just a trap. The third level is the most difficult level towards reaching ascendance, because humans will have to leave behind all their vices, delusions, and personal limitations. Most never manage to do that. Their only enemy in this level is themselves. Notice the human skull, hidden by the flying spaghetti monster-like flower.

At the very top, the Ascended people are waiting for more people to make it to the top. In the whole artwork, they are the only element depicted outside of the structure, able to see the bigger picture. They’re beyond time and space. Notice the planet above their heads, alluding that there may be more levels. Knowledge and wisdom have no limits. There’s always something more to explore, know and live.” ~ Eugenia Loli

Beautiful and surreal!

That piece is one of her most important / favorite personal pieces. I asked her to send me a link to her other personal favorites, the more abstract pieces that don’t seem to sell as well. What? That is crazy to me… just look at these beauties:

That hair, oh my goodness, I love that hair so much.

And finally, here is Eugenia looking particularly cool… drop some outer space into those circular glasses and she’d have a ‘Eugenia Loli artwork’ on her hands. The towel and tote photo is from her Instagram feed … her collages turned into objects, and used at the beach on her last trip home to Greece:

So fun! Thanks to Eugenia for telling me all of her stories … so insightful, honest, and genuine; thanks to Saatchi Art for supporting the episode; and thank you for listening. There will be more art for your ear next weekend.

Other links:

1. Eugenia’s blog posts re: creating/selling your collage work
2. Eugenia’s Online Shop (prints, bags, pillows, towels and more!)
3. Eugenia on Instagram
4. David Delruelle, collage artist

Those are needle-hole perforations in paper… because I know you’re wondering! Today I’m talking to the very prolific artist, and teacher, Wendy Kawabata. I wrote about her needle-hole series, titled “Blind World” a few years ago, but they are just one of many gems in her extensive portfolio. So, this episode is coming to you from Hawaii… I’m in Maui, and Wendy lives on Oahu… mai tais for everyone! Listen right up there under that intricate beauty, or you can subscribe on iTunes.

First up, some of her newest work. Wendy has recently gone back to oil painting after a very long break:

Ahhh, gorgeous! Each of these are titled “Cairns III”, “Cairns II”, and “Cairns VII Here Comes The Sun”.

Now, these pieces are both drawings and mixed media. Wait… is it fabric… or drawings .. or both? …

You can see why I wasn’t sure! The top two are gouache and colored pencil on paper, and the bottom two are gouache, colored pencil, and kantha cloth on paper. Love them all!

Next, the work inspired by her month-long residency in Iceland. This is “In The Land” when it was shown in 2016 at Sanderson Contemporary in New Zealand:

Dreamy, icy watercolors and that amazing crocheted flower piece… which has oh so much more behind it than grey, metallic paint covered flowers.

Oooh, I love this series too {see, prolific!}. This is a gouache and pencil on paper series, titled “Acts”:

Note the “mama”… such a beautiful reason for having that word woven into these drawings from a few years back.

And here we are, the first body of work of Wendy’s that I ever saw. “Blind Worlds”. So gorgeous:

Needle-hole perforations in paper, or as Wendy would say, drawing with holes. Love, love, love!

And finally, this is the piece she mentioned near the beginning… logs covered in crochet with Wendy’s made-up stitches {thank goodness for mothers}:

Beautiful… right stitches or wrong stitches! Thanks so much to Wendy for doing this with me; thanks to Saatchi Art and Thrive for supporting the episode, and thanks to you for listening! There will be more art for your ear, not next weekend but the weekend after that {Feb 17}

Other links:

1. Material Slip Show, March 4 ~ April 6th
2. Sanderson Contemporary, NZ
3. University of Hawaii at Mānoa

Whoa … well, clearly I had no choice but to kick things off with that insanely beautiful closeup. Today I’m talking to Cornwall based artist Lisa Wright. I had so many questions for her – did she study art history, why the masks, how big are these beauties, does she like Marmite? She does. Listen right up there under that beautiful blue “lace”, or you can subscribe on iTunes.

First, some of Lisa’s paintings that I wrote about a few years ago:

Oh, I love all of them… but that girl smoking might be my favorite. So, from there her subjects started to wear masks:

Masks, inspired by the button masks of Venice. The wearer holds a button in their mouth to keep the mask on, which of course, prevents them from being able to speak. Hm. This could go in oh so many directions… and I can’t wait to see where Lisa decides to take it!

So, Venetian masks go hand-in-hand with lace-like patterns… here they are veiling her art history-esque subjects:

Seriously… so unbelievably beautiful. And yes, I included that closeup again because that blue paint is absolutely mesmerizing.

Next up, some of the pieces that Lisa exhibited at CONTEXT New York. This is also a great way to show scale… from little and lovely to big and beautiful:

Yes! And speaking of exhibiting at cool shows, here is Lisa’s work in the Coates & Scarry booth at PULSE Miami:

Isn’t that installation great!? I love that Lisa painted her lacy patterns all over the wall! And finally, a podcast post wouldn’t be complete without a peek into the artist’s studio:

Sigh… that light! Beautiful. Again. Thank you so much to Lisa for such an inspiring conversation; thanks to Saatchi Art for supporting the episode; and thank YOU for listening! There will be more art for your ear next weekend.

Other links:

1. Charlotte Keates, Episode 107
2. Falmouth University
3. Faction Art Projects, NY {her show in Fall 2018}
4. Coates & Scarry Gallery, London